Roland XP-80 Manuel du propriétaire Page 103

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Patterns
In the same way as Phrase tracks, you can also record perfor-
mance data in Patterns. Patterns are handled separately to
Phrase tracks, but specific Patterns can be assigned for play-
back by a Phrase track. In cases such as percussion or bass
where identical phrases are repeated frequently in one song,
it’s convenient to repeatedly assign the appropriate Pattern
to a Phrase track using step recording. In this case, the
Phrase track contains only the Pattern Call numbers that
refer to the desired Pattern, and not the actual Pattern data.
Therefore the same Pattern can be used any number of times
with a negligible increase in memory used.
The RPS function for immediate playback also applies to
Patterns. Patterns are therefore convenient for live perfor-
mance, if you’ve recorded necessary performance data as
Patterns and take them to the gig.
Patterns also make fine scratch-pads for musical ideas.
Selecting instrument sounds
Before you record a song, you should select the
Performance, Patch or Rhythm Set you wish to use for
recording.
When recording an ensemble song that will use two or more
Patches, select a Single Performance. Select a Layer
Performance, if you want to record a layered performance
that combines different Patches for thicker and richer tex-
tures or playing a split keyboard that plays separate Patches
in different keyboard areas.
Select a Patch if you want to use only one instrument.
Select a Rhythm Set if you want to use only percussion
instruments.
If you use a Layer Performance while recording, the
recorded data will contain all data necessary to play
the Parts that are sounding. If each Part is receiving a
different MIDI channel, the recording will contain par-
allel streams of data that differ only in their MIDI
channels. This wastes valuable memory. To avoid this,
select the same Channel parameter (PERFORM/MIDI/
Part MIDI) for all Parts that are to be played simultane-
ously from the keyboard.
You can also select a Patch on the Realtime Rec Stand-
by display (SEQ). In this case, the Bank Select number
and Program number of the Patch will be recorded at
the recording start position.
Erasing the song from internal memory
When you record a song, the data is stored in internal mem-
ory. If internal memory already contains a song when you
wish to record a new song, that song has to be erased to free
up internal memory with this procedure.
If internal memory contains a song you wish to keep,
you must save that song to disk.
<Procedure>
Press [UTILITY].
Press the numeric key [6], then [ENTER].
Press [F6] (Execute) to erase the song from internal
memory.
Setting the time signature
When recording a new song, input the time signature into
the beginning of the Beat track. However, whenever power
is turned on or the internal memory is initialized, the time
signature will always got to its default setting of 4/4. If you
want to record a song in 4/4 time, you don’t have to deal
with the time signature.
When changing time signatures in mid-song, refer to
“Changing the time signature during a song” (p.148).
If the Pattern time is at a different setting from the
song time signature when recording in Patterns, or if
the song is set to a time signature other than 4/4 time,
you need to set the Pattern beat for time management
at the beginning of each Pattern (p.147). During record-
ing, the metronome will sound according to the
Pattern beat.
<Procedure>
Make sure that “00:InternalSong” is selected on the
Play display (SEQ(Song)).
Press [F4] (Micro).
Press [TEMPO/BEAT] to select the Beat track.
Each time this button is pressed, the selection will cycle
through the Tempo track, Beat track, and Phrase track, then
back to the Tempo track, and so on.
Move the cursor to “Beat” and set the time signature.
Press [TEMPO/BEAT] again to return to the Phrase
track.
Press [EXIT] to return to the Play display (SEQ(Song)).
105
Chapter 4. Playing back and recording a song
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