Roland XP-80 Manuel du propriétaire télécharger pdf (Page 102)

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Before you start to record

This section goes over what you should understand before

recording. It covers recording methods and preparations for

recording.

Recording process

Before you actually begin recording, become familiar with a

song’s creative process.

1. Select an instrument sound (p.105).

2. Erase the song from the internal memory (p.105).

3. Set the time signature (p.105).

4. Perform realtime recording (p.106) or step recording

(p.113).

5. Edit the song using Track Edit (p.121), Quantize

(p.136) or Microscope Edit (p.144).

6. Save the song to disk (p.115).

How Phrase tracks, Parts and MIDI chan-

nels interact

Each Phrase track of the XP-80 sequencer can record perfor-

mance data of up to 16 MIDI channels, or 16 different instru-

ments. The performance of all instruments can be laid down

on one Phrase track to create a song. But recording in this

way raises problems later on, if you want to re-record or

modify just part of the song. Generally, it’s easiest to record

each Part (MIDI channel) on its own Phrase track, so that

Part (MIDI channel) numbers will correspond to Phrase

track numbers.

On the XP-80, selecting another Phrase track by pressing

TRACK/PART [1]–[16] will also choose the correspondingly

numbered Part. If you select another Part by pressing

TRACK/PART [1]–[16], the correspondingly numbered

Phrase track will also be selected.

By using Extract function (p.131), it also allows you to reor-

ganize the performance data for MIDI channels so each

channel's data is placed in its own Phrase track– handy

when the performance data for multiple MIDI channels has

been stored together in one Phrase track (such as with

Format 0 Standard MIDI files).

Recording methods

You can select realtime recording or step recording.

Realtime recording

With Realtime Recording, you record your keyboard perfor-

mance and controller movements as they occur. Four types

of realtime recording are provided to suit the situation.

Replace

If the recording destination already contains data, it will be

replaced (erased and rewritten) by the most recent recorded

data. Use this method for re-recording.

Mix

This is used most of the time. If the recording destination

already contains data, the most recent recorded data will be

added to (mixed with) the original data. The original data is

not erased. This method is useful for first recording your

right-hand performance, then the left-hand.

And by using this method together with loop recording, you

can keep recording over a specific area without erasing the

previous data, just layering instruments, handy for building

up rhythm instrument group phrases.

Auto punch-in

This allows you to replace-record over only an area you’ve

specified by Punch points. It’s convenient for redoing mis-

takes you made when inputting data. When you start

recording, the song plays back, and when the sequencer

reaches the Punch point, it starts recording.

Manual punch-in

This performs replace recording only over the area you spec-

ify by pressing a pedal switch or a button. It’s convenient for

re-recording several areas that have data input mistakes.

When you start recording, the song plays back. When you

press a pedal switch or button, recording starts. Press it

again to stop recording and return to playback. Each pedal

press allows you to toggle between recording and playback.

Step recording

This method is for inputting notes and rests one step at a

time. It’s optimized for note input with precise timing, such

as when you enter percussion or bass parts. If you like, you

can create a song by combining Patterns besides notes.

Recording destinations of performance

data

Performance data is recorded either on Phrase tracks 1–16 or

in Patterns 1–100. Select the recording destination depend-

ing on the application.

Phrase tracks 1–16

You’ll normally record performance data on Phrase tracks.

It’s helpful if you’ve made decision prior to recording such

as recording melody on Phrase track 1, bass on Phrase track

2, drums on Phrase track 10, and accompaniment on the

remaining Phrase tracks.

Phrase track 1

Phrase track 2

Phrase track 3

Phrase track 4

Phrase track 5

Phrase track 6

Phrase track 7

Phrase track 8

Phrase track 9

Phrase track 10

Phrase track 11

Phrase track 12

Phrase track 13

Phrase track 14

Phrase track 15

Phrase track 16

Sequencer

Part 1

Part 2

Part 3

Part 4

Part 5

Part 6

Part 7

Part 8

Part 9

Part 10

Part 11

Part 12

Part 13

Part 14

Part 15

Part 16

Sound Source

Ch 1

Ch 2

Ch 3

Ch 4

Ch 5

Ch 6

Ch 7

Ch 8

Ch 9

Ch 10

Ch 11

Ch 12

Ch 13

Ch 14

Ch 15

Ch 16

Chapter 4. Playing back and recording a song

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Roland XP-80 Manuel du propriétaire Page 102

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Roland XP-80 Manuel du propriétaire Page 102

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