Roland XP-80 Manuel du propriétaire télécharger pdf (Page 91)

The Polarity parameter switches the polarity of the pedals.

On some pedals, the electrical signal output by a pedal when

pressed or released may be in opposite polarity to the other

pedals. If using this type of pedal, set this parameter to

REVERSE. If you are using a Roland pedal (no polarity

switch), set this parameter to STANDARD.

Control Source display

Select the type of pedal messages that will be used to control

Peak&Hold (p.48).

Hold (Hold control source)

Selects the type of pedal message that will be used to hold

the current parameter values.

OFF

: Not used

HOLD-1

: Hold 1 (controller number 64)

SOSTENUTO

: Sostenuto (controller number 66)

SOFT

: Soft pedal (controller number 67)

HOLD-2

: Hold 2 (controller number 69)

Peak (Peak control source)

Selects the type of pedal message that will be used to hold

the highest parameter values received.

OFF

: Not used

HOLD-1

: Hold 1 (controller number 64)

SOSTENUTO

: Sostenuto (controller number 66)

SOFT

: Soft pedal (controller number 67)

HOLD-2

: Hold 2 (controller number 69)

Volume (Volume control source)

Specifies whether or not Expression messages (controller

number 11) will affect the volume of a Patch or Part, as with

Volume messages (controller number 7).

VOLUME

: Only Volume messages will affect the volume, not

Expression messages.

VOL&EXP

: Both Volume and Expression messages will

affect the volume.

Aftertouch (Aftertouch control source)

Selects the types of aftertouch messages that will affect the

internal sound source.

CHANNEL

: Channel aftertouch (aftertouch applied equally

to all keys).

POLY

: Polyphonic aftertouch (aftertouch applied indepen-

dently to each key)

CH&POLY

: Channel aftertouch and polyphonic aftertouch

✳

The XP-80’s keyboard will not transmit polyphonic

aftertouch messages.

Arpeggio settings (Arpeg)

Arpeggio display

This is where to set Arpeggiator parameters.

Style

Sets the style of the arpeggio. Select from the following 33

options. For creating your own style, choose LIMITLESS.

1/4

: Beats with a quarter note interval.

1/6

: Beats with a quarter note triplet interval.

1/8

: Beats with an eighth note interval.

1/12

: Beats with an eighth note triplet interval.

1/16

: Beats with a sixteenth note interval.

1/32

: Beats with a thirty-second note interval.

GLISSANDO

: A glissando occurs in ascending and descend-

ing scales with a thirty-second note interval between the

lowest and highest keys pressed.

SEQUENCE A

: A sequence pattern often used in techno

music.

SEQUENCE B

: A sequence pattern containing small notes.

SEQUENCE C

: A slightly unusual sequence pattern.

ECHO

: Echo-type style.

SYNTH BASS

: A typical synth bass pattern. With Octave

Range set to +1, a bass pattern can be played simply by

pressing a single note.

SLAP BASS A

: Chopper bass style.

SLAP BASS B

: Light chopper bass style.

WALK BASS

: Walking bass style.

RHYTHM GTR A

: Rhythm guitar style (with a single note).

Clavinet Tone works well with this style.

RHYTHM GTR B

: Rhythm guitar style (with a chord).

RHYTHM GTR C

: A style adding a variation to a rhythm

guitar.

RHYTHM GTR D

: A style adding a variation to a rhythm

guitar.

RHYTHM GTR E

: A style adding a variation to a rhythm

guitar. As the timing in which sound is produced varies

between strings, more of an acoustic guitar-like sound will

be heard.

3 FINGER GTR

: Folk guitar’s three-finger picking style.

STRUMMING GTR

: A style simulating an upward or down-

ward chord strum on a guitar. Effective when five or six

notes are held.

Chapter 3. Creating your own sounds

[SYSTEM]

➞

[F5] (Arpeg)

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Roland XP-80 Manuel du propriétaire Page 91

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Roland XP-80 Manuel du propriétaire Page 91

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