Roland VG-88 Manuel du propriétaire Page 8

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8
Concepts Behind Development of the V-Guitar System
The Process That Led to the
Birth of the V-Guitar System
The acoustic piano has enjoyed a history of hundreds of
years, culminating in the shape that it has today. The piano
craftsmen of the past must have longed for piano wires that
could be stretched just as tightly as they pleased.
Unfortunately, though, the wooden frames of those times
imposed practical limits on wire tension. Their dream finally
became reality with the advent of frames made of cast iron.
Piano craftsmen were no doubt delighted with this new
ability to build pianos just as they wanted.
Guitars have had a similar history. Through a continuing
process of trial, error, and improvement made in a variety of
ways, including the structure and materials for the wood,
strings, and paint, guitars have reached the shape they have
today. Now we have electric guitars equipped with pickups
and amplifiers that can produce sound at high volumes.
Does this mean that guitars have reached a state of
perfection?
Not necessarily. Throughout the ages, instruments have
constantly evolved through the effective use of new materials
as they became available. And as the twenty-first century
approaches, Roland has incorporated new materials —
silicon DSP chips — into guitars to create a new instrument
— the V-Guitar System.
Sound Modeling
Roland believes that the final evaluation of an electric
guitar’s sound should not be based only on sound output
from the guitar itself, but should also include the sound that
passes through the guitar amps, speakers, and other
equipment.
To achieve this, it’s necessary to simulate all the steps along
the way — from the moment a guitar string is plucked, until
the time the sound reaches the ears — thereby re-creating the
sound. Roland has made it possible to re-create these steps
with this latest sound modeling technology — in other
words, other means are used to make a virtual model of the
physical structures and materials that actually exist.
Composite Object Sound
Modeling: COSM
The new Composite Object Sound Modeling (COSM)
advanced by Roland combines a number of sound modeling
technologies to create even newer sounds. COSM creates
new string vibrations while retaining all the expressiveness,
response, and tension that are inherent in the sounds of a
guitar.
Roland believes that the ability to produce sounds based on
entirely new concepts while making full use of conventional
methods of play, and the fact that these sounds have full
musical value, are of the greatest importance for a guitar
player.
COSM GUITAR/COSM AMP
COSM guitar/COSM amp are modeling technologies that
can reproduce the sounds of any existing guitar. This
includes the following.
Electronic Modeling, which simulates all characteristics
which can be attributed to the use of vacuum tubes,
transistors, and all other electronic circuitry.
Magnetic Modeling, which simulates all the characteristics
which can be produced as a result of using pickups,
transformers, speakers, and other electromagnetic parts.
Physical Modeling, which simulates all the characteristics
that are produced as a result of the use of certain types of
materials to make a guitar, including the kind of wood,
metal parts, or finish that are used.
In addition, COSM guitar is able to produce completely new
sounds that never existed before. The numerous harmonics
contained in the sound from the vibrating strings (the sound
source) can be radically emphasized, added to, or removed,
in order to create totally new guitar sounds.
A guitarist conveys musical expression through string
vibration. Vibrating strings carry a great deal of information
about the dynamics of a performance, including that which
expresses the way in which strings have been pressed, the
location at which they’ve been picked, the position of the
pick, and the kind of vibrato that’s been used. The V-Guitar
system uses the string vibration itself (which contains all of
this performance information) as the sound source, and can
create not only previously existing guitar sounds, but also
completely new sounds. One great advantage of this system
is that it preserves the playing dynamics of the guitarist, as
they are conveyed by the vibration of the string.
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