Roland SPD-S Manuel d'utilisateur

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Thank you, and congratulations on your choice of the Roland Sampling Pad SPD-S.
Before using this unit, carefully read the sections entitled: “USING THE UNIT SAFELY”
and “IMPORTANT NOTES” (p. 2–3; p. 4–5). These sections provide important information
concerning the proper operation of the unit. Additionally, in order to feel assured that you
have gained a good grasp of every feature provided by your new unit, Owner’s manual
should be read in its entirety. The manual should be saved and kept on hand as a conve-
nient reference.
* CompactFlash and are trademarks of SanDisk Corporation and licensed by Compact-
Flash association.
* Roland Corporation is an authorized licensee of the CompactFlash TM and CF logo ( )
trademarks.
* Fugue
©
2003 Kyoto Software Research, Inc. All rights reserved.
Copyright © 2003 ROLAND CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the
written permission of ROLAND CORPORATION.
03129712 3RCC
Owner’s Manual
SPD-S
Owner’s
Manual
To resize thickness, move all items on the front cover
and registration marks to left or right.
Vue de la page 0
1 2 3 4 5 6 ... 143 144

Résumé du contenu

Page 1 - Owner’s Manual

Thank you, and congratulations on your choice of the Roland Sampling Pad SPD-S. Before using this unit, carefully read the sections entitled: “USING

Page 2

10 Main Features A Sampler with Pads Perfect for Drummers and Percussionists Nine pads housed in a compact body (p. 15) The SPD-S offers nine playing

Page 3

100 Effect List 9: STEPFLANGER (Step Flanger) Shifts the pitch of the flanged sound in stages. The pitch shift cycle can also be specified in note le

Page 4 - IMPORTANT NOTES

101 Effect List Appendices 10: TREMOLO/PAN Swings the volume or the pan position periodically.In addition, if you press the PAGE buttons, “Knob,” “Ve

Page 5 - Using DATA Cards

102 Effect List 12: COMP-ENHANC (Compressor + Enhancer) Produces the effect of a serially connected a compressor and an enhancer. The enhancer sharpe

Page 6 - Contents

103 Effect List Appendices 13: 2BAND-COMP (2-Band Compressor) Divides the input sound into two bands, high band and low band, to match the volume or

Page 7

104 Effect List 14: 4BAND-PEQ (4-Band Parametric Equalizer) Controls the levels at four frequencies.In addition, if you press the PAGE buttons, “Knob

Page 8

105 Effect List Appendices 15: FILTER Cuts high- or low-frequency sound. With overdrive, it can modulate the cut-off frequency.In addition, if you pr

Page 9

106 Effect List 17: WAH Produces a wah-wah effect.In addition, if you press the PAGE buttons, “Knob,” “Velo” and “Pedal” are displayed. You can then

Page 10 - Main Features

107 Effect List Appendices 18: OVERDRIVE Distorts a sound mildly. By outputting a sound without distortion at low frequency, a sound can be roughened

Page 11 - Terms Used in This Manual

108 Effect List 19: DISTORTION Distorts a sound heavily. By outputting a sound without distortion at low frequency, a sound can be roughened without

Page 12

109 Effect List Appendices 20: LO-FI Produces a lo-fi sound.In addition, if you press the PAGE buttons, “Knob,” “Velo” and “Pedal” are displayed. You

Page 13 - Setup Guide

11 Main Features Readily Expandable Support for CompactFlash (p. 67) Using CompactFlash, the recordable time dramatically increases. The number of re

Page 14 - Panel Descriptions

110 Effect List 23: PITCHSHIFT Changes the pitch of the original sound.In addition, if you press the PAGE buttons, “Knob,” “Velo” and “Pedal” are dis

Page 15 - Top Panel

111 Effect List Appendices 25: OCTAVE Adds a sound that is one and/or two octaves lower.In addition, if you press the PAGE buttons, “Knob,” “Velo” an

Page 16 - Rear Panel

112 Effect List 27: CENTRCANCEL (Center Canceller) Eliminates sound located at the center, such as vocals.In addition, if you press the PAGE buttons,

Page 17

113 Effect List Appendices 28: SYNTH-PERC (Synthesizer Percussion) Produces a percussion sound synthesized inside the SPD-S when a pad is struck, ind

Page 18 - Side Panel

114 Effect List 29: SHORTLOOPER (Short Looper) Loops the input sound at a short cycle.The timing for playing back the looped sound can be automatical

Page 19 - Mounting on a Stand

115 Effect List Appendices 30: SLICER Cuts the sound in succession. The timing of the sound cutting can also be automatically adjusted to the tempo o

Page 20 - Connecting External Devices

116 Effect ListEffect Synchronization (Phrase Sync)The following effects can automatically be synchronized with the tempo of the wave played back. (P

Page 21

117 Appendices Restoring the Factory Settings Using the Accompanying CD The accompanying CD contains audio signals for sampling on the SPD-S and digi

Page 22 - Turning On/Off the Power

118 Restoring the Factory Settings Using the Accompanying CD7. “[ENTER] to Load” appears. Release the three buttons. Next, press [ENTER]. Data transf

Page 23 - (CompactFlash)

119 Appendices MIDI Implementation Model SPD-SVersion 1.00February.14 2003 1. Receive data * In wave mode, the SPD-S receives no messages other than

Page 24 - Quick Start

12SPDS_e.book 12 ページ 2004年4月19日 月曜日 午前9時58分

Page 25 - Sampling

120 MIDI Implementation ● All Notes Off (Controller number 123) Status 2nd byte 3rd byteBnH 7BH 00Hn = MIDI channel number: 0H - FH (ch.1 - ch.16)* W

Page 26

121 MIDI Implementation Appendices ❍ Data set 1 DT1 (12H) This is the message that actually performs data transmission.The SPD-S only receives bulk d

Page 27 - (Standby) screen in Step 5

122 MIDI Implementation ❍ Effect Control 2 (Controller number 13) Status 2nd byte 3rd byteBnH 0DH vvHn = MIDI channel number: 0H - FH (ch.1 - ch.16)v

Page 28

123 MIDI Implementation Appendices 3. Supplementary material Decimal and Hexadecimal table In MIDI documentation, data values and addresses/sizes o

Page 29 - Advanced Use

124 MIDI Implementation Function...BasicChannelModeNoteNumberVelocityAfterTouchPitch BendControlChangeProgramChangeSystem ExclusiveSystemCommonSyste

Page 30 - Creating a Patch

125 Appendices Troubleshooting This section outlines points to check if you experience problems, and what to do about them. Problems When Playing the

Page 31 - Notes on Giving a Performance

126 Troubleshooting Sound Production Is not Stopped Press [ALL SOUND OFF] to stop all sounds being produced. ( p. 31 ) Is Trigger in Wave Edit set t

Page 32

127 Troubleshooting Appendices Problems with Internal Memory Data Was not Saved Correctly in Internal Memory It is possible that the power was turne

Page 33 - Patch Utilities

128 Troubleshooting Problems When Using a Foot Switch A Sound Is Produced When the Foot Switch Is Released Is FootSWPolarity set appropriately? Set

Page 34 - Patch Edit Parameters

129 Troubleshooting Appendices Problems When Playing an External MIDI Sound Module No Sound Are the MIDI cables connected correctly? Check the conne

Page 35 - Chapter 1

13 Setup Guide Setup GuideSPDS_e.book 13 ページ 2004年4月19日 月曜日 午前9時58分

Page 36 - PAD CONTROL

130 Message List General Message Descriptions Measures system error! An error has occurred in the internal system. Contact your retailer or the neare

Page 37 - Notes on Tempo Sync

131 Message List Appendices Memory card (CompactFlash)MIDIOther Message Descriptions Measures card damaged! The data stored on the card has been corr

Page 38 - Patch Utilities Parameters

132 Specifications SPD-S: Sampling Pad Pads Built-in Pads: 9 Maximum Polyphony 8 voices Sampling Mode Fine/Standard/Long Sampling Frequency 44.1 kHz

Page 39

133 Appendices Patch List Each patch in the following table will be over-written when you save the edited one. If you need to restore the all patches

Page 40 - PATCH INIT (Patch Initialize)

134 Wave List Each wave in the following tables will be over-written when you save the edited one. If you need to restore the all waves to factory se

Page 41 - Chapter 2 Wave Editing

135 Appendices Audio Track List The accompanying CD contains many music pieces, drum sounds, percussion sounds and sound effects for sampling with th

Page 42

136 Audio Track List Track list Track Title Track Title 1 Session 1 multi-track phrases (BPM=120) 45 acoustic kicks2 Session 2 multi-track phrases (B

Page 43

137 Index Symbols -/+ ... 24, 30, 41-/+ buttons ...

Page 44 - About the Wave Utilities

138 Index E edge-shot ... 80EDIT ...

Page 45 - Wave Edit Parameters

139 Index N Name ... 37, 46name ... 27, 55, 57, 60–61, 64, 70, 73n

Page 46

14 3. EFFECTS CONTROL kbob4. VOLUME knob6. Display5. PAD indicators20. EXIT button2. PAD 4–91. PAD 1–322. ENTER button21. PAGE buttons23. -/+ butt

Page 47 - START/END POINT

140 Index Side Panel ... 18Soft Thru ...

Page 48 - Marking Function

141SPDS_e.book 141 ページ 2004年4月19日 月曜日 午前9時58分

Page 49 - Wave Utilities Parameters

142SPDS_e.book 142 ページ 2004年4月19日 月曜日 午前9時58分

Page 50 - WAVE CHOP

To resize thickness, move all items on the front cover IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE

Page 51 - Chapter 2

Thank you, and congratulations on your choice of the Roland Sampling Pad SPD-S. Before using this unit, carefully read the sections entitled: “USING

Page 52 - Chapter 3 Sampling

15 Panel Descriptions Setup Guide Top Panel 1. PAD 1 to 3 To play these pads, strike them using the shoulder of the stick. 2. PAD 4 to 9 Strike these

Page 53 - Basic Sampling Operations

16 Panel Descriptions Rear Panel24. POWER switch25. AC adaptor jack 33. INPUT jacks34. INPUT LEVEL knob32. MIC/LINE switch27. MIDI connectors28. SECU

Page 54 - Sampling in Patch Mode

17 Panel Descriptions Setup Guide 24. POWER switch Turns the unit on or off (p. 22). 25. AC adaptor jack Accepts connection of the supplied AC adapto

Page 55

18 Panel Descriptions Side Panel 38. MEMORY CARD slot Accepts a CompactFlash memory card (p. 67). Using the supplied hexagon wrench, you can attach t

Page 56 - Sampling in Wave Mode

19 Setup Guide Mounting on a Stand To mount the SPD-S on a cymbal stand or other type of stand, use a separately sold APC-33 all-purpose clamp set to

Page 57

To resize thickness, move all items on the front cover IMPORTANT: THE WIRES IN THIS MAINS LEAD ARE COLOURED IN ACCORDANCE WITH THE FOLLOWING CODE

Page 58 - Parameters for sampling

20 Connecting External Devices3324RolandCD/MD Player, Casette Tape RecorderSPDS_e.book 20 ページ 2004年4月19日 月曜日 午前9時58分

Page 59 - Basic Resampling Operations

21 Connecting External Devices Setup Guide While referring to the illustration on the previous page, take the following steps: 1. Before making a con

Page 60

22 Turning On/Off the Power Turning On the Power Once the connections have been completed (p. 20), turn on power to your various devices in the order

Page 61 - Resampling in Wave Mode

23 Setup Guide Inserting/Removing a Memory Card (CompactFlash) Inserting a Memory Card 1. Open the card slot cover on the left side of the SPD-S, and

Page 62 - Parameters for Resampling

24 Quick Start Making a Performance Take the following steps: 1 Follow the steps explained on p. 20 to connect external devices to the SPD-S. 2 Follo

Page 63

25 Quick Start Setup Guide If you press [ALL SOUND OFF], all sounds being produced are stopped. 6 After your performance, follow the steps in “Turnin

Page 64 - (Phrase Resampling)

26 Quick Start Sampling 1 Press [PATCH] so you are in patch mode. fig.PatchButton 2 Press [-]/[+] to select the patch that name is “New Patch.” 3 P

Page 65 - Parameters for Phrase Maker

27 Quick Start Setup Guide 6 Press [START/STOP] to start sampling. A “Wait..” message appears and the SPD-S enters the standby state. Start playback

Page 66

28SPDS_e.book 28 ページ 2004年4月19日 月曜日 午前9時58分

Page 67 - Memory Card

29 Advanced UseSPDS_e.book 29 ページ 2004年4月19日 月曜日 午前9時58分

Page 68

3 012c • Immediately turn the power off, remove the AC adaptor from the outlet, and request servicing by your retailer, the nearest Roland Service Cen

Page 69 - Parameters for Card Utilities

30 Chapter 1 Making a Performance/Creating a Patch The patch mode is for giving a performance. A patch is a combination of sounds assigned to differe

Page 70

31 Chapter 1 Making a Performance/ Creating a Patch Chapter 1 Locking the buttons You can lock (disable) the buttons so that a performance cannot be

Page 71 - FILE EXPORT

32 Chapter 1 Making a Performance/ Creating a Patch Basic Operations for Patch Edit This section describes the steps for setting a patch. Patch setti

Page 72 - BACKUP LOAD

33 Chapter 1 Making a Performance/ Creating a Patch Chapter 1 Patch Utilities When changing any item on the following patch utilities, see their resp

Page 73 - Chapter 6

34 Chapter 1 Making a performance/Creating a patch Patch Edit Parameters These parameters allow you to select the sounds that will be triggered by pa

Page 74 - Environment)

35 Chapter 1 Making a performance/Creating a patch Chapter 1 When Wave SW is set to anything but OFF, the following screens for selection of an item

Page 75 - About the Setup Utilities

36 Chapter 1 Making a performance/Creating a patch PAD CONTROL Configures pad/trigger parameters.Configurations can be set for individual pads/trigge

Page 76 - Setup Edit Parameters

37 Chapter 1 Making a performance/Creating a patch Chapter 1 Notes on Tempo Sync • Tempo Sync is not applicable to waves of which: 1. Type (in WAVE

Page 77 - Velocity Indication

38 Chapter 1 Making a performance/Creating a patch Patch Utilities Parameters This section describes the steps for copying, exchanging and initializi

Page 78 - Velocity Curves

39 Chapter 1 Making a performance/Creating a patch Chapter 1 PAD INIT (Pad Initialize) Initialize (factory reset) the parameters for a pad/trigger. T

Page 79 - CONTROL SW

4 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–3, please read and observe the following: Power Supply

Page 80 - TRIGGER INPUT

40 Chapter 1 Making a performance/Creating a patch PATCH INIT (Patch Initialize) Initializes the parameters for a patch. 1. A “[>] to init.” indic

Page 81 - Chapter 7

41 Chapter 2 Chapter 2 Wave Editing Wave A wave is a combination of a "sound material" created by sampling a sound of musical instruments,

Page 82 - Mask Time

42 Chapter 2 Wave Editing Jumping to the top of internal memory or the memory card Press [CARD] to alternately jump to the top wave number in the int

Page 83

43 Chapter 2 Wave Editing Chapter 2 Basic Operations for Wave Edit This section describes the steps for setting wave parameters. Wave settings are ma

Page 84 - External Seqencer

44 Chapter 2 Wave Editing About the Wave Utilities Please refer to the relevant reference page if you wish to make changes for any of the following w

Page 85 - Setup Utilities Parameters

45 Chapter 2 Wave Editing Chapter 2 Wave Edit Parameters WAVE SETUP Define the attributes of a wave.Set the following parameters. Press the PAGE butt

Page 86 - MIDI OUT MIDI IN

46 Chapter 2 Wave Editing When you change the value in Reverse or Trigger during sound production, the sound is stopped.When Type is set to PHRASE, s

Page 87 - INIT/DELETE

47 Chapter 2 Wave Editing Chapter 2 START/END POINT Define the start point and an end point of a wave.Set the following parameters. Press the PAGE bu

Page 88 - Wave Protect

48 Chapter 2 Wave Editing Marking Function You can set the start and end points by the timing of your button operation while a wave is being played b

Page 89

49 Chapter 2 Wave Editing Chapter 2 Wave Utilities Parameters WAVE TRUNCATE This preserves the wave between the start and end points specified in STA

Page 90 - Shortcut List

5 558a • To avoid disturbing your neighbors, try to keep the unit’s volume at reasonable levels. You may prefer to use headphones, so you do not need

Page 91

50 Chapter 2 Wave Editing WAVE CHOP This splits the wave currently selected into multiple waves (using sound level to define the split points). A sin

Page 92

51 Chapter 2 Wave Editing Chapter 2 WAVE COPY Copying a wave. 1. Set the following parameters. Press the PAGE buttons to change the parameter and pre

Page 93 - Effect Type List

52 Chapter 3 Sampling Sample a new sound to be produced with a playing surface. Unauthorized recording (sampling) of any audio work made by any third

Page 94 - Effect Parameters

53 Chapter 3 Sampling Chapter 3 Sampling Methods Two sampling modes are available. Patch mode: • For using a sampled sound immediately after sampling

Page 95 - ReverbLevel

54 Chapter 3 Sampling Sampling in Patch Mode 1 Press [PATCH] to select the patch mode. 2 Press [-]/[+] to select a patch. 3 Check if [CARD] is lit.

Page 96 - 3: STEREODELAY (Stereo Delay)

55 Chapter 3 Sampling Chapter 3 7 Press the PAGE buttons to set the following parameters. Press the PAGE buttons to change the parameter, and press [

Page 97 - 5: TAPE-ECHO

56 Chapter 3 Sampling Sampling in Wave Mode 1 Press [WAVE] to select wave mode. 2 Press [-]/[+] to select a wave number where the sampled wave is t

Page 98 - 7: PHASER

57 Chapter 3 Sampling Chapter 3 6 Press [START/STOP] to start sampling. •When StartLvl is set to OFF in Step 5Sampling starts immediately. Start

Page 99 - 8: FLANGER

58 Chapter 3 Sampling Parameters for sampling When Type is set to PHRASE, set the following parameters. Parameter Value Descriptions StartLvl(Start L

Page 100 - 9: STEPFLANGER (Step Flanger)

59 Chapter 4 Chapter 4 Resampling an Existing Wave You can combine multiple (up to four) waves on, or add effects to an existing wave, or change the

Page 101 - 10: TREMOLO/PAN

6 Contents Main Features... 10 Terms Used in This Manual ...

Page 102 - Effect List

60 Chapter 4 Resampling an Existing Wave 6 Press [SAMPLE]. 7 “select dest pad” appears. Hit a pad to select where the newly created wave after resamp

Page 103

61 Chapter 4 Resampling an Existing Wave Chapter 4 Resampling in Wave Mode 1 Press [WAVE] so you are in wave mode. 2 Press [-]/[+] to select a wave

Page 104

62 Chapter 4 Resampling an existing wave Parameters for Resampling *1 : Initial value for resampling in the patch mode *2 : Initial value for resampl

Page 105 - 16: ISOLATOR

63 Chapter 5 Chapter 5 Layering Performances to Make a Phrase (Phrase Maker) The Phrase Maker allows you to overdub a short rhythmical performance to

Page 106

64 Chapter 5 Layering Performances to Make a Phrase (Phrase Maker) 8 Press [EXIT] to terminate Phrase Maker. When you press [EXIT] to return to the o

Page 107 - 18: OVERDRIVE

65 Chapter 5 Layering Performances to Make a Phrase (Phrase Maker) Chapter 5 Parameters for Phrase Maker For Phrase Recording The following parameter

Page 108 - 19: DISTORTION

66 Chapter 5 Layering Performances to Make a Phrase (Phrase Maker) Parameters for Phrase Resampling Parameter Value Descriptions Gain 50%–400% Specif

Page 109 - Appendices

67 Chapter 6 Chapter 6 Using a CompactFlash Memory Card This chapter explains how to use a CompactFlash memory card. Regarding Recommended CompactF

Page 110 - 24: PITCHBENDER

68 Chapter 6 Using a CompactFlash Memory Card Basic Operations of Card Utilities 1 To insert a CompactFlash card, open the card slot cover on the lef

Page 111 - 25: OCTAVE

69 Chapter 6 Using a CompactFlash Memory Card Chapter 6 Parameters for Card Utilities FILE IMPORT Here's how to import audio files from memory c

Page 112

7 Contents Chapter 2 Wave Editing... 41 Wave ...

Page 113 - SynPercLev

70 Chapter 6 Using a CompactFlash Memory Card1. Set the following parameters. Press the PAGE buttons to change the parameter and press [-]/[+] to cha

Page 114

71 Chapter 6 Using a CompactFlash Memory Card Chapter 6 FILE EXPORT Here's how to export waves to memory cards as audio files. You may not be ab

Page 115 - 30: SLICER

72 Chapter 6 Using a CompactFlash Memory Card BACKUP LOAD Here's how to load backup data (SPD-S settings: patch, wave, setup) from a memory card

Page 116

73 Chapter 6 Using a CompactFlash Memory Card Chapter 6 BACKUP SAVE Here's how to save backup data (SPD-S settings: patch, wave, setup) to a mem

Page 117 - Accompanying CD

74 Chapter 7 Changing the Setup (Overall Environment) This chapter describes steps for making environment settings in Setup Edit. Basic Operations fo

Page 118

75 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 About the Setup Utilities Please refer to the relevant reference page if you wish to

Page 119 - MIDI Implementation

76 Chapter 7 Changing the Setup (Overall Environment) Setup Edit Parameters Settings made for the instrument as a whole. SYSTEM Sets the following pa

Page 120

77 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 PAD Settings parameters for the pads on the SPD-S. In the patch mode, pads can be sel

Page 121 - 2. Transmit data

78 Chapter 7 Changing the Setup (Overall Environment) Velocity Curves Value Descriptions Curve LINEAR This is a standard setting. It gives the most n

Page 122

79 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 CONTROL SW Configuring pads for functions other than making sound.Configuration can b

Page 123 - 3. Supplementary material

8 Contents Chapter 7 Changing the Setup (Overall Environment)... 74 Basic Operations for Setup Edit ...

Page 124 - MIDI Implementation Chart

80 Chapter 7 Changing the Setup (Overall Environment) TRIGGER INPUT How to make settings for pads, kick triggers or acoustic drum triggers connected

Page 125 - Troubleshooting

81 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 When you set Trig Type, the following parameters are set to their recommended values.

Page 126

82 Chapter 7 Changing the Setup (Overall Environment) RetrigCancel(Retrigger Cancel)1–16 When you hit a snare drum equipped with an acoustic drum tri

Page 127

83 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 When InputMode is set to HD&RM and Type to PD-80R, PD-120 or RT-5S set the follow

Page 128

84 Chapter 7 Changing the Setup (Overall Environment) MIDI Configures the MIDI functions.Set the following parameters. Press the PAGE buttons to chan

Page 129

85 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 Setup Utilities Parameters BULK DUMP Settings for SPD-S setups and patches can be sav

Page 130 - Message List

86 Chapter 7 Changing the Setup (Overall Environment) Retrieving Saved Data Back to the SPD-S Retrieves the settings saved to sequencers and other ex

Page 131 - Memory card (CompactFlash)

87 Chapter 7 Changing the Setup (Overall Environment) Chapter 7 INIT/DELETE Reset the SPD-S’s settings to initial values, or delete all the data stor

Page 132 - Specifications

88 Chapter 7 Changing the Setup (Overall Environment) Wave Protect This feature provides protection to sampled waves to prevent them from being lost

Page 133 - Patch List

89 Appendices AppendicesSPDS_e.book 89 ページ 2004年4月19日 月曜日 午前9時58分

Page 134 - Wave List

9 Contents Problems with a Memory Card...127Data Was not Saved Cor

Page 135 - Audio Track List

90 Shortcut List Patch ModePatch EditPatch UtilitiesWave ModeWave EditWave Utilities Operation Function [SHIFT]+[EXIT] Cancel the effects control.[FU

Page 136 - Track list

91 Shortcut List Appendices SamplingResamplingPhrase MakerCard UtilitiesSetup EditOther and Common Operation Function [SHIFT]+[FUNC] Load the initial

Page 137

92 Effect List Configure the effects to be applied to a patch.Use the PAGE buttons to select the parameter, and press [-]/[+] to change the value. Us

Page 138

93 Effect List Appendices Effect Type List For details on each effect type, see its reference page.1 REVERB+GATE p. 942 DLYEDREVERB p. 953 STEREODELA

Page 139

94 Effect List Effect Parameters 1: REVERB+GATE Adds reverb to the sound to simulate a spacious room. fig.Reverb.eps In addition, if you press the PA

Page 140

95 Effect List Appendices 2: DLYEDREVERB (Delayed Reverb) Adds a delay before reverb to delay the reverb sound. fig.DelayedReverb.eps In addition, if

Page 141

96 Effect List 3: STEREODELAY (Stereo Delay) Adds a delay in stereo to the original sound to produce a fat sound or special effects. When FbkMode is

Page 142

97 Effect List Appendices 4: SYNC-DELAY (Sync Delay) Adds a delay, the duration of which is specified in note length corresponding to tempo. The dela

Page 143 - For Canada

98 Effect List 6: CHORUS Adds fatness and spaciousness to a sound.In addition, if you press the PAGE buttons, “Knob,” “Velo” and “Pedal” are displaye

Page 144

99 Effect List Appendices 8: FLANGER Adds an undulating wave motion to the sound to produce a sound like that of a jet plane ascending and descending

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