Roland Jupiter 80 Manuel d'utilisateur Page 12
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12
Getting Acquainted with the JUPITER-80
How the Sound Generator is Organized
The sound generator is organized into units of sounds called “Registrations,” “Live Sets,” and “tones.”
The JUPITER-80’s sound generator
Solo Part
Tone
Registration
Upper Part
Percussion Part
Tone 4
Lower Part
Tone 1
Tone 2
Tone 3
Tone 4
Live Set
Tone 1
Tone 2
Tone 3
Tone 4
Live Set
MFX 1
MFX 1
MFX 2
MFX 2
MFX 3
MFX 3
MFX 4
MFX 4
ReverbComp
Comp
Equalizer
Equalizer
Delay
Delay
Reverb
MASTER
EQ
Reverb
Harmony
Intelligence
Arpeggio
Audio data ow Performance data ow
What is a Tone?
Although a Tone is the smallest unit of sound handled by the JUPITER-80, it boasts an extravagantly powerful structure based on SuperNATURAL
sounds. “SuperNATURAL Acoustic Tones” not only reproduce the sounds of an acoustic instrument, but also automatically analyze—in a way
that’s appropriate for each dierent tone—the dierences between the phrases, chords, and melodies played by the performer, and deliver the
responsiveness that is characteristic of that specic acoustic instrument. Starting with the SuperNATURAL piano, each of these sounds brings you the
highest possible level of expressive power that has been developed for the sound engines of earlier Roland products.
“SuperNATURAL Synth Tones” can be combined as elements in a Live Set, and can also be edited in detail for each tone and saved. Since a single Synth
Tone contains three sets of oscillator, lter, amp, and LFO, it packs a formidable amount of synthesis power. The oscillator contains not only analog
waveforms but also PCM waveforms, and you can use the graphic screen to edit them intuitively, creating a nearly innite range of synth sounds.
What is a Live Set?
In the JUPITER-80’s sound engine, the smallest unit of sound is the “tone”; each tone consists of a SuperNATURAL sound.
Up to four tones can be layered to create impressive and richly expressive sounds.
Such a combination can be saved as a “Live Set,” and a dierent Live Set can be used for the Upper Part and the Lower Part.
By layering two Live Sets, you can easily create thick, stacked sounds that would have been dicult to create on any previous PCM synthesizer.
The basic method of creating sound on the JUPITER-80 is to edit a Live Set by combining these powerful tones.
What is a Registration?
The combination of sounds assigned to the Upper Part, Lower Part, Solo Part, and Percussion Part, together with settings for the JUPITER-80 itself, can
be saved as a single “Registration.”
A Registration can be called up instantly, allowing you to switch sounds as appropriate for the song you’re playing, or to instantly get the settings you
need for live performance or studio recording.
- * 5 1 0 0 0 2 4 0 8 1 - 0 2 * 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- USING THE UNIT SAFETY 4
- IMPORTANT NOTES 5
- Contents 7
- Introduction 9
- Main Features 10
- What is a Tone? 12
- What is a Live Set? 12
- What is a Registration? 12
- What are SuperNATURAL Tones? 13
- Behavior Modeling Technology 13
- Live Sets 14
- Registrations 15
- About Memory 16
- Audio les that can be played 17
- Audio les that will be saved 17
- Panel Descriptions 18
- Rear Panel Connections 20
- Turning the Power On 23
- Basic Operation 24
- Editing a Value 25
- [E1]–[E4] knobs 26
- Basic Touch Panel Operation 27
- [SHIFT] Button Operations 28
- [MENU] Button Operations 29
- Assigning a Name 29
- Navigating Between Screens 30
- Registration Part screen 31
- Live Set screen 32
- Tone Blender screen 34
- Key Range View screen 34
- MENU screen 34
- Song screen 34
- Visual Control screen 34
- Playing Sounds 35
- Upper Part 36
- Turning Each Part On/O and 37
- Adjusting its Volume 37
- Phrases (Manual Percussion) 38
- Keyboard (Drums/SFX) 38
- Split Performance 39
- Changing the Split Point 40
- Switching Registrations 41
- Switching Registration Sets 42
- Consecutively 42
- Using the Arpeggiator 43
- Arpeggio Parameters 44
- File (Import) 45
- Performing With Added Harmony 46
- Controlling the Performance 47
- Using Pedals 48
- Controlling the Rotary Eect 49
- Controlling Reverb 49
- Changing the Pitch by Octaves 50
- Transposing 50
- Editing Sounds 51
- Editing a Registration 52
- Saving a Registration 53
- 4. Touch <WRITE> 54
- Initializing a Registration 55
- Editing a Live Set 56
- Changing a Live Set’s Tones 57
- Eect Output Levels 59
- Editing a Tone 60
- Saving a Live Set 62
- Naming a Live Set 63
- Initializing a Live Set 64
- Copying a Layer 65
- Editing a Synth Tone 66
- Saving a Synth Tone 68
- Tone/Partial 69
- Copying a Partial 69
- Other Convenient Functions 71
- Playback 72
- Ranges (Equalizer) 73
- <Chain Play> 74
- Currently selected 74
- Audio le that will 74
- Creating a Folder 75
- Recording 77
- Audio Signal Flow 78
- Flash Drive 79
- Computer 80
- (Format) 81
- Exchanging Registration Sets 82
- Calibrating the Touch Panel 82
- Making System Settings 83
- Saving the System Settings 83
- System Parameters 83
- D Beam/Slider 84
- Keyboard 84
- Master EQ, Song EQ 85
- MIDI Tx/Rx 85
- Scale Tune 85
- OUT, SUB OUT) 86
- (Factory Reset) 87
- Connecting Other Equipment 89
- About MIDI 91
- External MIDI Device 93
- Connection example 94
- Controlling Visuals 95
- Visual Control Settings 96
- Appendix 97
- Error Message List 98
- Troubleshooting 100
- Specications 101
- MIDI Implementation Chart 102
- Information 105
- For EU Countries 106
- For China 106
- DECLARATION OF CONFORMITY 107
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