Roland KF-90 Manuel d'utilisateur Page 181
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181
Appendices
Demo Song List
* Use of the song data and music style data supplied with this product for any purpose other than private, personal
enjoyment without the permission of the copyright holder is prohibited by law. Additionally, this data must not be
copied, nor used in a secondary copyrighted work without the permission of the copyright holder.
* No data for the music that is played will be output from MIDI OUT.
Profile
John Maul
John Maul is a musician, composer and arranger having graduated from the Royal Academy of Music in
London. John’s work encompasses studio recordings and live performances including work with top UK
Jazz artists.
His writing credits include commercial music for BBC radio and television, as well as scoring jazz and
classical works.
Having been a product specialist for Roland U.K., John is now actively involved in music software
composing/programming for both Roland Japan and various music publishers. Quite recently his “Musical
Picture Book,” a volume of original piano music encompassing all standards of musical ability, which
included the piano and orchestral accompaniment data in SMF format, was published and printed.
Scott Wilkie
Scott Wilkie is a contemporary jazz recording artist, based in southern California. He has several recordings
available on NaradaJazz Records, and he tours frequently with his own band. He also appears worldwide as
an artist for Roland. You can find him on-line at www.scottwilkie.com.
Kazuko Hirashita, Masashi Hirashita
Masashi and Kazuko both started studying classical piano when they were in their infancy. Both went on to
study composition.
At the same time, they had started their own music careers as keyboardists and composers. Their work
covers a wide spectrum of styles and activities, including pop, fusion and jazz music as well as many
writing and producing jobs.
No. Title Composer Copyright
1 First Time Around Scott Wilkie
© 2000 Scott Wilkie (ASCAP)
2 Jobs For The Boys John Maul
© 2000 John Maul
3 Howz It Feel? Scott Wilkie
© 2000 Scott Wilkie (ASCAP)
4 Midnight Blue
Masashi & Kazuko
Hirashita
© 2000 Roland Corporation
5 Joyful Sunday
Masashi & Kazuko
Hirashita
© 2000 Roland Corporation
- Owner’s Manual 1
- USING THE UNIT SAFELY 4
- IMPORTANT NOTES 5
- Protect 6
- (prevents writing to disk) 6
- Introduction 7
- Checking the Included Items 8
- How to Use This Manual 8
- Contents 10
- Panel Descriptions 13
- 6 7 9 10 11 12 17 18 19 20 21 14
- 3 4 5 8 13 14 15 16 22 23 24 14
- 25 26 27 29 30 34 35 36 15
- 28 31 32 33 37 38 39 15
- Before You Play 16
- Turning the Power On and 17
- Adjusting the Sound’s 17
- Volume and Brilliance 17
- Connecting Headphones 17
- Connecting a Microphone 18
- About the Touch Screen 18
- ■ Basic Screen 19
- Quick Start 21
- Playing the Keyboard 22
- ([Tone Navigator] Button) 25
- (Piano Master) 26
- Playing with Accompaniment 28
- The range specifyed a chord 29
- Split Point ( ) 29
- (One-touch Arranger) 30
- Little Brown Jug 32
- Recording a Performance 34
- Navigator screen 35
- Accompaniment 36
- 2. Press the Play [ ] button 38
- 3. Press the Stop [ ] button 38
- Using Music Files 39
- 1 62 3, 4, 5 40
- 1, 42, 3 43
- ■ Adjusting the Echo 44
- ■ Modifying Your Voice 44
- 2. Touch <Harmonist> 46
- Reference 49
- Chapter 1 Performance 50
- Chapter 1 51
- (Layer Play) 53
- You can’t use this feature 57
- Basic Screen (p. 19) 57
- Playing Drum Sounds 58
- ■ Playing Effect Sounds 59
- Advanced 3D OFF 60
- Advanced 3D ON 60
- Sounding the Metronome 63
- ■ Adjusting the Tempo 64
- When is selected 65
- With a triplet beat (6/8, 9/ 65
- 8, or 12/8), added notes are 65
- ■ Changing the Type of Sound 66
- ■ Changing the Volume 66
- Using Automatic Accompaniment 67
- About Chords 68
- Chapter 2 69
- When changing the tone in 72
- Tones” (p. 56) 72
- Starting Over 75
- Modifying an Accompaniment 77
- (Melody Intelligence) 79
- 5. Finger the keyboard 80
- Accompaniment and Keyboard 81
- Chapter 3 Some Handy Features 83
- ■ Displaying the Score 84
- 4. Press the Play [ ] button 85
- Adjusting the Tempo 85
- 2. Touch <Tap Tempo> 86
- Chapter 3 89
- ■ Moving a Marker 91
- For more info about 92
- The transposition setting 93
- Press the [Function] button 95
- Touch <Piano Partner> 95
- For more information 96
- “Multitrack Recording with 96
- 16 Parts (16-Track 96
- Sequencer)” (p. 118) 96
- Chapter 4 101
- You can’t erase the settings 102
- Changing How Recording Stops 103
- 2. Touch <Rec. Mode> 103
- Recording begins here 104
- 4. Touch <Exit> 106
- Saving Songs to Floppy Disks 109
- 5. Touch <Format Disk> 110
- Selecting the Recording 115
- ■ Re-Recording Part of Your 117
- Performance 117
- (Punch-in Recording) 117
- Multitrack Recording with 16 118
- Parts (16-Track Sequencer) 118
- Sequencer 119
- Changing the Settings of 120
- Each Part 120
- Chapter 5 121
- Changing a Song’s Basic 122
- Changing the Tempo Within 123
- Chapter 6 Editing Functions 124
- Copying a Measure 125
- Copying a Rhythm Pattern 126
- Correcting Timing 126
- Discrepancies 126
- Deleting a Specific Measure 127
- Inserting a Blank Measure 128
- Transposing Individual Parts 128
- Making a Measure Blank 129
- Exchanging Parts 130
- Correcting Notes One by One 130
- Modifying the Tone Changes 131
- Creating an Original Style 132
- (User Style) 132
- Touch <Create Style> 132
- Touch <Style Composer> 132
- Chapter 7 133
- You Composed Yourself (Style 134
- Converter) 134
- Creating a Style in Auto Mode 135
- Changing an Extracted Part 136
- Saving a User Style 137
- Storing the Panel Settings 138
- (User Program) 138
- Calling Up User Program 139
- Saving User Programs on 140
- Floppy Disk 140
- Disabling Everything Except 141
- Piano Play (Panel Lock) 141
- Changing the Settings for 142
- One Touch Piano 142
- ■ Changing the Tuning 143
- ■ Adjusting Resonance 144
- Automatic Accompaniment 145
- ■ Changing How the Automatic 146
- Accompaniment Plays 146
- Bass Tone 146
- Chapter 8 147
- ❍ Assignable Functions 148
- What’s the Bend Range? 148
- Changing the settings for 149
- Score screen 149
- Marker and the Count Sound 150
- Adjusting the Standard Pitch 151
- (Master Tuning) 151
- Changing the Type of Reverb 151
- Changing the Type of Chorus 152
- Changing the Bend Range 152
- Changing the Screen Settings 153
- Changing the Screen Message 153
- When the Power Is Turned On 153
- (Opening Message) 153
- Maintaining Settings After 154
- (Memory Backup) 154
- Restoring the Factory 154
- Settings (Factory Reset) 154
- Connecting MIDI Devices 156
- What’s MIDI? 156
- MIDI Out Connector 156
- MIDI In Connector 156
- MIDI Settings 157
- (Program Change/ 158
- Synchronizing with 159
- Connected MIDI Devices 159
- MIDI Ensemble 159
- Connecting to Audio 160
- Equipment 160
- Connecting a Computer 161
- Trouble Shooting 162
- Indication: Error.43 165
- Indication: Error.51 165
- Indication: Error.41 165
- Indication: Error.42 165
- Tone List 166
- Appendices 167
- [Voice/GS] 168
- Drum/SFX Set List 170
- Music Style List 175
- Rhythm Pattern List 177
- Chord List 178
- Effects List 180
- Demo Song List 181
- Data Disk Song List 182
- SMF with Lyrics 183
- General MIDI 183
- General MIDI 2 183
- GS Format 183
- Glossary 184
- Tuning Curves 185
- DIGITAL PIANO 186
- Model KF-90 186
- Date : Mar. 1, 2000 186
- Version : 1.00 186
- MIDI Implementation Chart 186
- Main Specifications 187
- Information 194
- IMPORTANT SAFETY INSTRUCTIONS 195
- SAVE THESE INSTRUCTIONS 195
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