Roland FR-7/FR-5 Manuel du propriétaire Page 29
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- Table des matières
- DEPANNAGE
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
Pitch-related functions
V-Accordion
r
29
(1) While the Main page is displayed, press the [UP]
button twice.
(2) Use the [DATA÷ENTER] knob to select the a differ-
ent tuning for the Treble reeds.
The possibilities are: Off (no detune), Dry, Classic, F-
Folk, American L, American_H, North Eur, German L,
D-Folk L, Italian L, German H, Alpine, Italian H, D-Folk
H, French, Scottish.
(3) Press [EXIT÷JUMP] to return to the Main page.
■Scale (Tuning)
Almost each music culture has its own accordion
variety. Arabic, Indonesian and other musical cultures
do not use the equal temperament that is favored in
Europe, the Americas, etc.
The FR-7/FR-5 also features a “Scale” parameter that
allows you to select the tuning system that best fits
the music you want to play. If the tuning system you
need is not among the factory settings, you can pro-
gram it yourself (see p. 38) and then select it here.
Note: See “1.1 Master Tune” on p. 38 for how to change the
FR-7/FR-5’s reference pitch (i.e. “really” tune it).
(1) While the Main page is displayed, press the [UP]
button three times.
(2) Use the [DATA÷ENTER] knob to select the a differ-
ent tuning system.
The possibilities are:
Equal (Off): This tuning divides the octave into 12
equal steps (intervals).
User 1~3: These settings refer to the tuning systems
programmed by yourself (or someone else). See “1.4
Scale Edit” on p. 38 for details.
Arabic 1 & 2: As the name implies, these two set-
tings refer to Arabic tuning systems. Select “1” to
lower the E and B notes by a quarter tone (–50
cents). “2” represents a scale where the E and A are
tuned down a quarter tone.
Just Major: This is a classical (western) tuning that
resolved the ambiguity of fifths and thirds. Quite
beautiful sonorities are produced with chords, but
the scale is unbalanced, so it is not well-suited for
melodies.
Just Minor: This is a Just scale for pieces in minor
keys.
Pythagorean: This method of tuning was invented in
ancient Greece. It resolves the ambiguity of fourths
and fifths. Though thirds are somewhat imperfect,
melodies sound clearer.
Mean-Tone: A temperament that adds some com-
promises to the Just temperament and facilitates
transposition.
Werckmeister: A combination of the Mean Tone and
Pythagorean temperaments, this tuning allows for
playing in any key.
Kirnberger: As a result of improvements made to the
Mean Tone and Just temperaments, it is relatively
tolerant towards transposition and can be used to
play in all keys.
Except for “Equal”, you also need to specify the root/
fundamental (“C” for major and “A” for minor)
according to the key of the song to be played.
(3) Press the [DATA÷ENTER] knob to activate the “KEY”
field (so that it is displayed in reverse).
(4) Turn the [DATA÷ENTER] knob to select the desired
root note (C~B).
(5) Press [EXIT÷JUMP] to return to the Main page.
- FR-7/FR-5 1
- IMPORTANT SAFETY INSTRUCTIONS 2
- SAVE THESE INSTRUCTIONS 2
- V-Accordion 4
- Contents 5
- 1. Features 6
- 2. Important notes 9
- Important notes 10
- 10
- 3. Panel descriptions 11
- Bass control panel 12
- Display and master bar 12
- Connection panel 13
- Connection panel of the FBC-7 13
- 4. Setting up 14
- If you are using the FBC-7 15
- Listening to the demo songs 16
- First steps 17
- Selecting Easy or Full mode 18
- About the Main page 19
- Treble section 20
- Treble section 21
- Bass section 22
- FREE BASS 23
- ORCH BASS 23
- Using the orchestral sounds 24
- V-Accordion 25
- FR-7/FR-5 V-Accordion 26
- Other practical functions 28
- Pitch-related functions 29
- 5. About the FBC-7 31
- Charging the battery 32
- 6. Editing sounds 35
- Setting parameter values 37
- TUNING parameters 38
- 1.5 Scale Assign 39
- TREBLE EDIT parameters 40
- 2.1 Reed Type 41
- 2.2 Register 41
- 2.13 Orchestra Link 43
- 2.14 Treble MIDI TX 44
- BASS EDIT parameters 45
- 3.2 Register 46
- 3.3 Reed Volume 46
- 3.4 Button Noise 46
- 3.5 Reed Growl 46
- 3.6 Bellows Detune 47
- FREE BASS EDIT parameters 48
- 4.2 Register 49
- ORC.BASS EDIT parameters 51
- ORCH. EDIT parameters 53
- 6.7 Aftertouch Pitch 54
- 6.8 Orchestra MIDI TX 54
- SET COMMON parameters 55
- 7.2 Reverb Parameters 56
- 7.3 Chorus Macro Type 56
- 7.4 Chorus Parameters 57
- 7.5 Delay Macro Type 58
- 7.6 Delay Parameters 58
- SYSTEM parameters 59
- 8.1 LCD Contrast 60
- 8.2 Parameter Access 60
- 8.3 Bellows Curve 60
- 8.4 Pedal Controller 60
- 8.5 Bass & Chord Mode 61
- 8.6 Free Bass Mode 62
- 8.7 Stereo Width 62
- UTILITY parameters 63
- 7. MIDI functions 66
- MIDI functions 68
- Global MIDI parameters 69
- Global MIDI parameters 69
- (10.2 Ext. Seq. Playback) 70
- Solving MIDI buffer problems 71
- (10.3 Bellows TX Resolution) 71
- Important remarks 72
- Sections 72
- Parameters 72
- Parameters 73
- 8. Miscellaneous functions 77
- Troubleshooting 79
- Troubleshooting 79
- Specifications 81
- Parameter list 82
- Parameter list 83
- (Only for Bass and Free Bass) 84
- Factory Sets 85
- Demo Songs 85
- 9. MIDI implementation 86
- ● Data Set 1 DT1 (12H) 87
- MIDI Implementation Chart 88
- 10. Information 89
- 11. Index 90
- Index 92
- For EU Countries 93
- For the USA 93
- For Canada 93
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