Roland XV-5080. Manuel du propriétaire

Notation Used in This Owner’s Manual To make operation procedures easy to understand, the following notation system is adopted:Characters and number

10 SCSI Devices That Can Be Used...239What you need to k

100Chapter 2 Using the XV-5080 EffectsEQ GainLow (EQ Low Gain)Adjusts the low-range gain of the equalizer.EQ M Gain (EQ Mid Gain)Adjusts the gain of t

101Chapter 2 Using the XV-5080 EffectsChap.285: CLEAN GUITAR MULTI BClean Guitar Multi 2 provides Auto-wah (AW), Equalizer (EQ), Delay (Dly), and Chor

102Chapter 2 Using the XV-5080 EffectsChorus/FlangerTypeSelects either Chorus or Flanger.RateSets the modulation speed for the chorus or flanger.Depth

103Chapter 2 Using the XV-5080 EffectsChap.2together with the degree of distortion.Level (Overdrive/Distortion Level) #Sets the volume of the Overdriv

104Chapter 2 Using the XV-5080 Effects87: ISOLATOR 2This adds a filter to the ISOLATOR effect. Isolator is an equalizer which cuts the volume greatly,

105Chapter 2 Using the XV-5080 EffectsChap.2500Hz (500Hz Gain)Specifies the gain (amount of boost or cut) at 500 Hz.1000Hz (1000Hz Gain)Specifies the

106Chapter 2 Using the XV-5080 EffectsCopying Effect SettingsYou can copy the effect settings from any Patch, Performance, or Rhythm Set into the curr

107Chapter 3 Selecting Output JacksThe XV-5080 has four sets of stereo outputs.These outputs allow you to separate sounds—or groups of sounds—from the

108Chapter 3 Selecting Output JacksParametersThe parameters related to Patch output settings are shown below.PATCH Effects General page ([PATCH] - [F6

109Chapter 3 Selecting Output JacksChap.3PATCH Common General #1 page ([PATCH] - [F1 (COMMON)] - [F1 (General)])CommonLevel (Patch Level)Range: 0–127S

11Features128-Voice Polyphony and 32-Part MultitimbralityThe XV-5080 is a 32-part multitimbral sound generator that produces up to 128 simultaneous po

110Chapter 3 Selecting Output JacksExample of SettingsAssigning Different Output Destinations for the Tones in a PatchIn this example, let’s suppose w

111Chapter 3 Selecting Output JacksChap.3Performance Mode SettingsSignal (PART) Flowfig.03-002.eParametersThe parameters related to Part output settin

112Chapter 3 Selecting Output JacksPart Chorus Send LevelRange: 0–127Sets how much of the Part is sent to the Chorus. Its final output destination is

113Chapter 3 Selecting Output JacksChap.3SYSTEM General #1 page ([SYSTEM] - [F1 (General)])MasterLevel (Master Level)Range: 0–127Adjusts the volume of

114Chapter 3 Selecting Output JacksRhythm Set Mode SettingsSignal (RHYTHM TONE) Flowfig.03-003.eParametersThe parameters related to Patch output setti

115Chapter 3 Selecting Output JacksChap.3MFX Chorus Send LevelRange: 0–127Determines the level of the post-Multi-effects processor signal sent to Chor

116Chapter 3 Selecting Output JacksSYSTEM Output page ([SYSTEM] - [F2 (OutP&EQ)])Output Mix/ParallelModeAvailable Settings:MIX: Signals that are s

117Chapter 3 Selecting Output JacksChap.3Settings in General MIDI ModeSignal (PART) Flowfig.03-004.eParametersThe parameters related to Part output se

118Chapter 3 Selecting Output JacksReverb Send LevelRange: 0–127Sets the amount of the Chorus unit’s output to be sent to the Reverb. Its final output

119Chapter 3 Selecting Output JacksChap.3Digital Connections Using R-BUSThe XV-5080 comes equipped with an R-BUS connector. This connector allows you

12Panel DescriptionsFront Panelfig.0-001AVOLUME Knob (PHRASE PREVIEW)This adjusts the volume from the A (MIX) OUTPUT jacks and PHONES jacks. The volum

120Chapter 3 Selecting Output JacksEight-Channel R-BUS Digital Connectionfig.RBUS-1.eXV-5080 ——–> Device Equipped with R-BUS Connector (One Example

121Chapter 3 Selecting Output JacksChap.3Converting to the Various Digital FormatsDigital Output to an ADATConnect a DIF-AT, and you’ll then be able t

122Chapter 3 Selecting Output JacksDigital Output to a TASCAM DA SeriesConnecting a DIF-AT then allows you to output to a TASCAM DA Series device.fig.

123Chapter 3 Selecting Output JacksChap.3Digital Output to an AES/EBU DeviceConnecting an AE-7000 then allows you to output to an AES/EBU device.When

124Chapter 3 Selecting Output JacksSynchronizing the XV-5080 to the Word Clock arriving at WORD CLOCK INfig.RBUS-6.eSettings• XV-5080 SettingsMaster C

125Chapter 4 Creating PatchesTypes of Patches and Their CompositionThe basic unit of sound used in performances on the XV-5080 is called a Patch; ther

126Chapter 4 Creating Patches Multi-partial Patch Patches using data loaded into the XV-5080 from sampler libraries are of this type.Multi-Partial Pa

127Chapter 4 Creating PatchesChap.4Settings Common to the Entire PatchSetting Procedure:1. Select the Patch you’re going to use.2. Press [F1 (COMMON)]

128Chapter 4 Creating PatchesINDIV 1–8: The Patch is sent to the selected INDIVIDUAL 1–8 jack. (Mono output)TONE/KEY: The output routing is determined

129Chapter 4 Creating PatchesChap.4Release OffsetRange: -63– +63This simultaneously lowers or raises the individual TVA ENVELOPE T4 values of the Tone

13Panel DescriptionsE (MODE)[PERFORM] (Performance)Pressed to get into Performance mode. (p. 17)Press this button while holding down [SHIFT] to switch

130Chapter 4 Creating Patchesthat uses multiple tones, it may stop being heard in MONO. When making large pitch changes, set the Legato Retrigger to “

131Chapter 4 Creating PatchesChap.4Structure (Patch Structure)These parameters can be set only for Four-Tone Patches.PATCH Common Structure page ([PAT

132Chapter 4 Creating Patchesother Tone to be connected in the simple order of WG/TVF/TVA.Booster (Booster Gain)Range: 0/+6/+12/+18If the “Type” param

133Chapter 4 Creating PatchesChap.4U.F (TMT Keyboard Fade Width Upper)Range: 0–127Determines what will happen to the Tone’s level when a note that’s h

134Chapter 4 Creating PatchesU.F (TMT Velocity Fade Width Upper)Range: 0–127This determines what will happen to the Tone’s level when the Tone is play

135Chapter 4 Creating PatchesChap.4fig.04-027.e5. Press [ ]/[ ]/[ ]/[ ] to move the cursor to the parameter you want to set.6. Turn the VALUE dial or

136Chapter 4 Creating PatchesThe following diagram shows an example of a sound – an electric organ – that combines one-shot and looped waveforms.fig.0

137Chapter 4 Creating PatchesChap.4Gain (Wave Gain)Range: -6/0/+6/+12Specifies the gain (amplitude) of the waveform. The value changes in 6 dB (decibe

138Chapter 4 Creating PatchesTime (Tone Delay Time)Range: 0–127/NoteSpecifies the time after which the Tone will sound when using Tone Delay.When the

139Chapter 4 Creating PatchesChap.4Depth (Pitch Envelope Depth)Range: -12– +12 Determines the amount of pitch enveloping to be used. Higher values wil

14Panel DescriptionsRear Panelfig.0-002KAC IN (AC Inlet)Connect the included power cable here. (Quick Start; p. 11)L (MIDI)MIDI Connectors (IN 1/2, OU

140Chapter 4 Creating Patchespoint, then go back and forth between the Loop Start point and the Loop End point.REV-ONE (Reverse One-shot)The sample wi

141Chapter 4 Creating PatchesChap.4filter reduces the frequencies more gently than LPF2.This can be very effective with acoustic-instrument-based Tone

142Chapter 4 Creating PatchesPATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)])fig.04-044.e_70TVF EnvelopeThese parameters determine the

143Chapter 4 Creating PatchesChap.4Changing the Volume and Stereo Location ([F4 (TVA)])The TVA (Time Variant Amplifier) controls volume changes to the

144Chapter 4 Creating PatchesKeyfollow (Tone Pan Keyfollow)Range: -100– +100Use this parameter when you want each note’s keyboard position to affect i

145Chapter 4 Creating PatchesChap.4Applying Vibrato or Tremolo ([F5 (LFO&CTL)])The LFO (Low Frequency Oscillator) can alter various Tone settings

146Chapter 4 Creating PatchesFade (LFO Fade)Mode (LFO Fade Mode)Sets how the LFO will be applied.Available Settings:ON-IN: The LFO will fade in after

147Chapter 4 Creating PatchesChap.4PITCH ENV: Pitch envelopeTVF ENV: TVF envelopeTVA ENV: TVA envelopeDestinationSelects the parameters to be controll

148Chapter 4 Creating PatchesCreating Multi-Partial PatchesWhen creating and playing Multi-Partial Patches, you must have a separate device to load sa

149Chapter 4 Creating PatchesChap.4Assign (Assign Type)Selects the range over which the Split settings are applied.MULTI: The settings affect all Part

15Panel DescriptionsS/P DIF OUT ConnectorThe XV-5080 features both optical and coaxial digital out connectors (conforming to S/P DIF).S/P DIF: This is

150Chapter 4 Creating PatchesEditing SamplesPATCH WG SMT#1 page ([PATCH] - [F2 (WG)] - [F2 (SMT)])fig.04-061.e_70SMT (Sample Mix Table)The SMT number

151Chapter 4 Creating PatchesChap.4PATCH WG SMT#2 page ([PATCH] - [F2 (WG)] - [F2 (SMT)])fig.04-063.e_70SMT Velocity Control (SMT Velocity Control Swi

152Chapter 4 Creating PatchesONE SHOT:The sample will be played back only once, from the Start point to the Loop End point.ALT (Alternate):When the sa

153Chapter 4 Creating PatchesChap.4keyboard to select the pertial.PATCH TVF Parameter page ([PATCH] - [F3 (TVF)] - [F1 (TVF Prm)])fig.04-066.e_70TVFFi

154Chapter 4 Creating PatchesPATCH TVF Envelope page ([PATCH] - [F3 (TVF)] - [F2 (TVF Env)])These parameters determine the amount of filter enveloping

155Chapter 4 Creating PatchesChap.4Making the Volume Change ([F4 (TVA)])Press [F5 (Global)] to turn Global on and display the "✔" to the lef

156Chapter 4 Creating PatchesLevel (TVA Envelope Level 1–3)Range: 0–127Each TVA envelope level value determines an amount of change to be applied to t

157Chapter 4 Creating PatchesChap.4Rate (LFO Rate)Range: 0–127Adjusts the basic modulation rate, or speed, of the LFO.Detune (LFO Rate Detune)Range: 0

158Chapter 4 Creating PatchesDestinationSelects the parameters to be controlled. (p. 218)Sens (Sensitivity)Range: -63– +63Adjusts the amount of change

159Chapter 5 Creating a PerformanceHow a Performance Is OrganizedWith Performances, you can combine a total of up to 32 separate Patches and Rhythm Se

16Chapter 1 Selecting and Playing a SoundAuditioning Sounds on the XV-5080 (Phrase Preview)The Phrase Preview feature allows you to audition Patches o

160Chapter 5 Creating a Performance* This setting is linked to the setting for the Solo Part Select parameter (Performance Common page; p. 160).* Even

161Chapter 5 Creating a PerformanceChap.55. Turn the VALUE dial or press [INC]/[DEC] to select the desired value.* If you make a mistake when setting

162Chapter 5 Creating a PerformanceK.L (Part Keyboard Range Lower)Range: C -1–G9Specifies the lowest note that will cause the Part to play its sound.K

163Chapter 5 Creating a PerformanceChap.5Bend Range (Part Pitch Bend Range)Range: 0–48/PATCHSets the amount of pitch change that will occur when you m

164Chapter 5 Creating a PerformanceRelease Offset (Part Release Time Offset)Range: -64– +63Sets the relative proportion of change in the TVF/TVA Envel

165Chapter 5 Creating a PerformanceChap.5MIDI IN1 (Part MIDI IN 1 Receive Switch)Range: OFF/ONSets whether each Part will receive MIDI messages (ON) o

166Chapter 5 Creating a PerformanceExpression (Receive Expression Switch)Range: OFF/ONSets whether the MIDI channel will receive MIDI Expression messa

167Chapter 5 Creating a PerformanceChap.55. Press [ ]/[ ]/[ ]/[ ] to move the cursor to “Type.”6. Turn the VALUE dial to select “PART.”7. Press [ ]/[

168Chapter 6 Creating Rhythm SetsHow Percussion Instruments Are OrganizedRhythm sets are groups of a number of different percussion instrument sounds.

169Chapter 6 Creating Rhythm SetsChap.6Settings Common to an Entire Rhythm SetSetting Procedure:1. Select the Rhythm Set you wish to use.2. Press [F1

17Chapter 1 Selecting and Playing a SoundChap.1Playing a Patch on the XV-5080 from External MIDI Devices (MIDI Keyboard)The XV-5080 produces sound in

170Chapter 6 Creating Rhythm SetsSetting up Individual Rhythm TonesThe parameters that can be set for each Rhythm Tone of the Rhythm Set are assigned

171Chapter 6 Creating Rhythm SetsChap.6vibrations and the hollow sounds of brass instruments.The following diagram shows an example of a sound — an el

172Chapter 6 Creating Rhythm SetsWAVEGroup (Wave Group)Selects the group for the waveform that is to be the basis of the Rhythm Tone.Available Setting

173Chapter 6 Creating Rhythm SetsChap.6RHYTHM WG Pitch page ([RHYTHM] - [F2 (WG)] - [F2 (Pitch)])fig.06-008.e_70Pitch (Rhythm Tone Pitch)Coarse Tune (

174Chapter 6 Creating Rhythm SetsTime4 (Pitch Envelope Time 4 Velocity Sensitivity)Range: -63– +63Use this parameter when you want keyboard playing dy

175Chapter 6 Creating Rhythm SetsChap.6LoopMode (Loop Mode)Displays the loop mode of the loaded Sample.Available Settings:FWD (Forward):After the Samp

176Chapter 6 Creating Rhythm Setscutoff frequency by raising their level. You can use this to create wah-wah effects by employing an LFO to change the

177Chapter 6 Creating Rhythm SetsChap.6RHYTHM TVF Envelope page ([RHYTHM] - [F3 (Key TVF)] - [F2 (TVF Env)])fig.06-016.e_70TVF EnvelopeThese parameter

178Chapter 6 Creating Rhythm SetsV-Curve (TVA Level Velocity Curve)Range: FIXED/1–7This setting allows you to select from seven velocity curves that d

179Chapter 6 Creating Rhythm SetsChap.6Other Settings ([F5 (Key Ctl)])RHYTHM Key Control page ([RHYTHM] - [F5 (Key Ctl)])fig.06-020.e_70ControlBend Ra

18Chapter 1 Selecting and Playing a Soundsound generators are capable of reliably playing back music files that carry either the General MIDI or Gener

180Chapter 6 Creating Rhythm SetsCopying Settings from Some Other Rhythm ToneThe Rhythm Tone settings in a Rhythm Set you select can be copied to the

181Chapter 7 Loading a Variety of DataLoading Sampler Libraries (CD-ROM)Now let’s try loading a sampler library (such as the optional L-CDX Series) in

182Chapter 7 Loading a Variety of Data1. Turn off the power on the XV-5080 and any connected devices, and disconnect any cables connected to the XV-50

183Chapter 7 Loading a Variety of DataChap.7Installation de la carte d'extension Wave (French language for Canadian Safety Standard) Les cartes d

184Chapter 7 Loading a Variety of Data1. Éteindre le XV-5080 et tout l’équipement qui y est relié. Ensuite, déconnecter tous les câbles qui sont relié

185Chapter 7 Loading a Variety of DataChap.7Connecting a CD-ROM Drivefig.07-005.e1. Turn off the power of the XV-5080 and any connected external devic

186Chapter 7 Loading a Variety of Data10.Turn the VALUE dial or press [ ] or [ ] to select the file to be loaded and press [F5 (Mark)]; a “✔” is add

187Chapter 7 Loading a Variety of DataChap.7About Each Sampler Library Folder Type (Display)In the case of the S-700 series<Volume>: This indica

188Chapter 7 Loading a Variety of DataAbout the Display of Folder Categories in Sampler LibrariesS-700 Series files have the category indicated.The fo

189Chapter 7 Loading a Variety of DataChap.7Auto LoadThis selects the folder (<Sample>) to which samples are automatically loaded when the XV-50

19Chapter 1 Selecting and Playing a SoundChap.1Selecting a PatchBasic Procedure for Selecting a PatchTurn the VALUE dial or press [INC]/[DEC] to selec

190Chapter 7 Loading a Variety of DataPlaying Back Loaded Sampler LibrariesPatches and Performances loaded from CD-ROMs are recorded in the USER Group

191Chapter 7 Loading a Variety of DataChap.7You can also sort files. When you press [F3 (Sort)] the window for selecting the type of sort is displayed

192Chapter 7 Loading a Variety of Datafig.07-04.e_70f5. Turn the VALUE dial or press [ ] or [ ] to select the Sample to be transmitted, then press [F5

193Chapter 7 Loading a Variety of DataChap.7Automatically Creating Multi-Partial Patches (Create Patch)This creates Partials from samples loaded to th

194Chapter 8 Saving Tones and Other Data You’ve CreatedSaving Edits to the XV-5080’s Internal Memory (Write)If you turn the power off or select anothe

195Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8When Changing the Settings for the Patch or Rhythm Set Assigned to a Part in a Performanc

196Chapter 8 Saving Tones and Other Data You’ve CreatedFormatting a Memory CardThis function initializes (formats) a memory card so that XV-5080 data

197Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8If samples not loaded into the SIMM memory are found in the save destination memory card,

198Chapter 8 Saving Tones and Other Data You’ve CreatedBy pressing [F2 (View)], you can specify the category of files to be displayed.Turn the VALUE d

199Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8<Registering to Banks (Regstry)>1. Press [DISK], lighting the indicator.2. Press [F

CAUTIONRISK OF ELECTRIC SHOCKDO NOT OPENATTENTION: RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIRCAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK,DO NOT REMOV

20Chapter 1 Selecting and Playing a SoundThe following categories can be selected.CategoryGroup Category Contents— NO ASSIGN No assignPianoPNO AC.PIAN

200Chapter 8 Saving Tones and Other Data You’ve CreatedSaving All Data to Zip Disk ([DISK] - [F2 (SAVE)])By connecting a SCSI-compatible Zip drive (op

201Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8[F2 (←Prev)]: To move back one character.[F4 (Insert)]: To insert a space.[F5 (Delete)]:

202Chapter 8 Saving Tones and Other Data You’ve CreatedInitializing a SoundThis function resets all of the parameters in the current Patch, Performanc

203Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8Use [ ] [ ] to move the cursor to Key, and either rotate the VALUE dial, or press [INC] [

204Chapter 8 Saving Tones and Other Data You’ve CreatedSourceYou can specify the data to be transmitted by selecting the appropriate combination shown

205Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8TYPE BLOCKALL PR-A, B *1PERFORM USER *2 01–64PR-A, B 01–32CARD 01–64 *6PATCH USER *2 001

206Chapter 8 Saving Tones and Other Data You’ve Created6. Press [EXIT] several times to return to the applicable PLAY page.* Even if the Internal Writ

207Chapter 8 Saving Tones and Other Data You’ve CreatedChap.8Registering Favorite Patches in the FAVORITE LISTYou can bring together your favorite and

208Chapter 9 Other Settings/Status ChecksSettings Common to the Entire XV-5080 ([SYSTEM/UTILITY] - [F1 (General)])fig.09-001.e_70Setting Procedure:1.

209Chapter 9 Other Settings/Status Checks Chap.9 Setting the Tuning and Volume Settings Master The Master Tune and Master Key Shift settings are comm

21Chapter 1 Selecting and Playing a SoundChap.1Selecting Patches and Rhythm Sets from an External MIDI DeviceBy receiving MIDI messages, the XV-5080 c

210Chapter 9 Other Settings/Status Checks5. Either turn the VALUE dial, or press [INC]/[DEC] to select the desired value.* If you’ve made a mistake, s

211Chapter 9 Other Settings/Status ChecksChap.9Making the Equalizer Settings ([SYSTEM/UTILITY] - [F2 (Outp&EQ)] - [F2 (EQ)])You can set the equali

212Chapter 9 Other Settings/Status ChecksSetting the MIDI ChannelThe XV-5080 produces sound, and can change its internal settings in response to MIDI

213Chapter 9 Other Settings/Status ChecksChap.9MIDI IN connectorsThe XV-5080 has two MIDI IN connectors. By providing for the use of two MIDI IN conne

214Chapter 9 Other Settings/Status Checksfig.09-MIDI IN-5.eIn Performance ModeThe instrument operates as a Performance (32-part) sound module and a 16

215Chapter 9 Other Settings/Status ChecksChap.9Selecting Common Controllers ([SYSTEM/UTILITY] - [F4 (Control)])These settings allow you to choose four

216Chapter 9 Other Settings/Status ChecksSCSI IDXV-5080 SelfThe current SCSI ID number of the XV-5080 will be displayed.

217Chapter 10 Examples of Applications Using the XV-5080Controlling the XV-5080 in Real Time Using an External MIDI DeviceExternal MIDI controllers (m

218Chapter 10 Examples of Applications Using the XV-5080MFX Control DestinationSelects the Multi-effects parameter to be controlled using the MFX Cont

219Chapter 10 Examples of Applications Using the XV-5080Chap.10PANTVA ENV A-TIMETVA ENV D-TIMETVA ENV R-TIMESensRange: -63– +63Adjusts the amount of c

22Chapter 1 Selecting and Playing a SoundRhythm SetsRhythm Set Rhythm Set Bank Select ProgramGroup Number Number NumberMSB LSBUSER 1, 2, 3, 4 86 00 1,

220Chapter 10 Examples of Applications Using the XV-508064:STEREO PHASER2 Rate,Step Rate65:STEREO AUTO WAH Rate66:ST FORMANT FILTER Rate67:MULTI TAP D

221Chapter 10 Examples of Applications Using the XV-5080Chap.10You can play these phrase loops in sync with the System Tempo.1. On the PATCH PLAY page

222Chapter 10 Examples of Applications Using the XV-5080in pitch with the Control Number 6 (Data Entry MSB) and Control Number 38 (Data Entry LSB) set

223Chapter 10 Examples of Applications Using the XV-5080Chap.10Applications for Matrix ControlControlling the TMT with the LFO and Changing the Tone’s

224Chapter 10 Examples of Applications Using the XV-5080Using the XV-5080 as a General MIDI Sound ModuleThe XV-5080 features a GM mode (GM2)—a conveni

225Chapter 10 Examples of Applications Using the XV-5080Chap.10Turning Effects On/Offfig.10-004.e_701. Press [EFFECTS ON/OFF].2. Use [ ] or [ ] to sel

226Chapter 10 Examples of Applications Using the XV-5080Key ModeMono/Poly (Part Mono/Poly)Range: MONO/POLYSpecifies whether the Part will play polypho

227Chapter 10 Examples of Applications Using the XV-5080Chap.10Making MIDI Settings for Each Part ([F4 (MIDI)])fig.10-007.e_70PART MIDIReceive Channel

228Chapter 10 Examples of Applications Using the XV-5080GM Effects Reverb page ([F5 (Effects)] - [F3 (Reverb)])GM mode reverb settings are made here.I

229Chapter 10 Examples of Applications Using the XV-5080Chap.10Initializing GM Settings (Init)As GM Initialize initializes only GM mode settings, data

23Chapter 1 Selecting and Playing a SoundChap.1212), modify the third byte to the appropriate value when transmitting the above exclusive message.Sett

230Chapter 10 Examples of Applications Using the XV-50806. Press [EXIT] several times to return to the applicable PLAY page.* Even if the Internal Wri

231Appendices

232TroubleshootingIf no sound can be heard, or if the unit does not perform as you expect, check the following points first. If this does not resolve

233TroubleshootingAppendicesEffects do not applyAre [MFX], [CHORUS], and [REVERB] turned off?• Press the corresponding button to turn on the indicator

234Troubleshootingthe power in the proper sequence. If the device is still not being recognized, even with the setting at the maximum value, then that

235AppendicesError MessagesIf there has been a mistake in operation, or if the XV-5080 is unable to continue processing as you directed, an error mess

236Error MessagesFile Name (Folder, Volume)Format ErrorSituation: A file name has not been assigned.Action: Assign a file name.File not FoundSituation

237Error MessagesAppendicesMemory Card Write ProtectedSituation: Since a write protect sticker is affixed to the memory card, data cannot be saved to

238Error MessagesSource Disk Incorrect!Cause: The operation you are attempting to execute does not support this media.Action: Do not select this media

239AppendicesAbout SCSIConnecting a SCSI deviceIn order to load wave data from a sound library (a CD-ROM containing sounds or phrases) into the XV-508

24Chapter 2 Using the XV-5080 EffectsThe XV-5080 contains four independent effects units.Multi-effectsThe Multi-effects offers 90 different effects. I

240About SCSIsure to turn it on. For details on attaching an active terminator, refer to the owner’s manual of your SCSI device.* On some SCSI devices

241AppendicesParameter List Patch ParametersPATCH Common General #1 ([PATCH]-[F1(Common)]-[F1(General)])(p. 127)Group Parameter ValueCommon Name Patc

242Parameter ListPATCH Common TMT Vel Range ([PATCH]-[F1(Common)]-[F5(V.Range)])(p. 133) Group Parameter Value TMT Velocity Control Switch TMT Veloci

243Parameter ListAppendicesPATCH TVF Parameter ([PATCH]-[F3(TVF)]-[F1(TVF Prm)])(p. 140)Group Parameter ValueTVF Filter type Filter type OFF, LPF, BP

244Parameter ListPATCH LFO&Ctrl LFO1, LFO2 ([PATCH]-[F5(LFO&CTL)]-[F1(LFO1)])(p. 145) Group Parameter Value Wave Form LFO form SIN,TRI, SAW-U

245Parameter ListAppendicesPATCH Effects General ([PATCH]-[F6(Effects)]-[F1(General)])(p. 25)Group Parameter ValuePatch Output Assign MFX, A–D, 1–8, T

246Parameter List Multi Partial Patch ParametersPATCH Common Split ([PATCH]-[F1(Common)]-[F3(Split)])(p. 148)Group Parameter ValueNote --- Note Numbe

247Parameter ListAppendicesPATCH TVF Envelope ([PATCH]-[F3(TVF)]-[F2(TVF Env)])(p. 154)Group Parameter ValueTVF Envelope Depth TVF envelope depth -63–

248Parameter ListPATCH LFO&Ctrl Control #2 ([PATCH]-[F5(LFO&Ctl)]-[F2(Control)])(p. 157)Group Parameter ValueMatrix Control 3 Source Control s

249Parameter ListAppendices Performance ParametersPERFORMANCE Common ([PERFORMANCE]-[F1(Common)])(p. 160)Group Parameter ValuePerformance Name Name Pe

25Chapter 2 Using the XV-5080 EffectsChap.2The screen appears as shown below, according to the settings values.• For MFXfig.02-004.e_70• For A–Dfig.02

250Parameter ListPERFORMANCE MIDI #2 MIDI Filter ([PERFORMANCE]-[F4(MIDI)])(p. 165)Group Parameter ValueMIDI Message Program Change Receive program ch

251Parameter ListAppendicesPERFORMANCE Effects MFX Control #2 ([PERFORMANCE]-[F5(Effects)]-[F3(MFX Ctl)])(p. 31)Group Parameter ValueSource Control 1

252Parameter List Rhythm Set ParametersRHYTHM Common ([RHYTHM]-[F1(Common)])(p. 169)Group Parameter ValueCommon Name Rhythm set name ASCII Characters

253Parameter ListAppendicesRHYTHM WG WMT Vel Range ([RHYTHM]-[F2(Key WG)]-[F4(V.Range)])(p. 174)Group Parameter ValueVelocity Control Switch Velocity

254Parameter ListRHYTHM Key Control ([RHYTHM]-[F5(Key Ctl)])(p. 179)Group Parameter ValueCONTROL Bend Range Bend range 0–48Envelope Mode Envelope mode

255Parameter ListAppendices GM Mode ParametersGM Control ([GM]-[F2(Control)])(p. 225)Group Parameter ValueModify Cutoff offset Cutoff offset -64–+63Re

256Parameter ListGM Effects General ([GM]-[F6(Info)])(p. 228)Group Parameter ValueInfometion Mod Modulation information 0–127Breath Breath information

257Parameter ListAppendices MFX Prameters1:STEREO EQ(p. 44)Parameter ValueFreq/GainLowFreq Low frequency 200, 400 HzLowGain Low gain -15–+15 dBMid1 Fr

258Parameter List8:ROTARY(p. 47)Parameter ValueRotarySpeed Speed SLOW, FASTWooferSlow Rate Low frequency slow rate 0.05-10.00 HzFast Rate Low frequenc

259Parameter ListAppendices15:STEREO FLANGER(p. 51)Parameter ValueFlangerRate Rate 0.05-10.00 HzDepth Depth 0-127Feedback Feedback level -98-+98%Phase

26Chapter 2 Using the XV-5080 EffectsDry Send LevelRange: 0–127This sets the level of the signal sent to the output destination set with Output Assign

260Parameter List20:QUADRUPLE TAP DELAY(p. 55)Parameter ValueDelayDelay 1 Delay time 1 200-1000 ms, note *1Delay 2 Delay time 2 200-1000 ms, note *1De

261Parameter ListAppendices26:OVERDRIVE→CHORUS(p. 59)Parameter ValueOverdriveDrive Drive 0-127Pan Pan L64-0-63RChorusPre Delay Chorus pre delay time 0

262Parameter List35:CHORUS→DELAY(p. 62)Parameter ValueChorusPre Delay Chorus pre delay time 0.0-100.0 msRate Chorus rate 0.05-10.00 HzDepth Chorus dep

263Parameter ListAppendices43:FORMANT FILTER(p. 66)Parameter ValueOverdriveSwitch Switch OFF, ONDrive Drive 0 – 127FilterVowel 1 Vowel 1 a, e, i, o,

264Parameter List47:SHUFFLE DELAY(p. 70)Parameter ValueDelayTime Delay time 0 – 1800 ms , note *2Shuffle Rate Shuffle rate 0 – 100 % Acceleration Acce

265Parameter ListAppendices51:LOFI NOISE(p. 72)Parameter ValueLo-FiType LOFI type 1 – 9Post FilterType Post Filter Type OFF, LPF, HPFCutoff Cutoff Fre

266Parameter List57:GATE(p. 76)Parameter ValueGateMode Mode GATE, DUCKAttack Time Attack time 0 – 127Hold Time Hold time 0 – 127Release Time Release t

267Parameter ListAppendices62:TREMOLO(p. 79)Parameter ValueTremoloMod Wave Modulation wave TRI, SQR, SIN, SAW1,SAW2Rate Rate 0.05 – 10.0 Hz, note *2De

268Parameter List68:REVERSE DELAY 2(p. 82)Parameter ValueDelay1-4 Delay time 1-4 0-1500 ms, note *2Feedback1, 4 Feedback level 1, 4 -98-+98%HF Damp1,

269Parameter ListAppendices72:ROTARY MULTI(p. 86)Parameter ValueSequenceOD/Dist Overdrive/Distortion Switch OFF,ONAmp Sim Amp Simulator Switch OFF,ON3

27Chapter 2 Using the XV-5080 EffectsChap.2REV: The Chorus output is sent only to the Reverb.fig.02-010.eM+R: The Chorus output is sent to the OUTPUT

270Parameter List74:RHODES MULTI(p. 89)Parameter ValueSequenceEnhancer Enhancer Switch OFF, ONPhaser Phaser Switch OFF, ONCho/Flg Chorus/Flanger Switc

271Parameter ListAppendices77:STEREO LOFI NOISE(p. 92)Parameter ValueLo-FiType LOFI type 1 – 9HumType Hum Type 50, 60 [Hz]LPF Hum LPF (*1)Level Hum Le

272Parameter List81:GUITAR MULTI A(p. 95)Parameter ValueSequenceComp Cmp Switch OFF,ONOD/Dist Overdrive/Distortion Switch OFF,ONAmp Sim Amp Simulator

273Parameter ListAppendices83:GUITAR MULTI C(p. 98)Parameter ValueSequenceOD/Dist Overdrive/Distortion Switch OFF,ONWah Wah Switch OFF,ONAmp Sim Amp S

274Parameter List85:CLEAN GUITAR MULTI B(p. 101)Parameter ValueSequenceWah Wah Switch OFF, ON3 Band EQ 3 Band EQ Switch OFF, ONDelay Delay Switch OFF,

275Parameter ListAppendices88:STEREO SPECTRUM(p. 104)Parameter ValueBand Gain250Hz 250Hz gain -15-+15 dB500Hz 500Hz gain -15-+15 dB1000Hz 1000Hz gain

276Parameter List System ParametersSYSTEM General #1 ([SYSTEM/UTILITY]-[F1(General)])(p. 209)Group Parameter ValueSetup LCD Contrast LCD contrast 1–10

277AppendicesWaveform ListNo. Wave Name1 StGrand pA L2 StGrand pA R3 StGrand pB L4 StGrand pB R5 StGrand pC L6 StGrand pC R7 StGrand fA L8 StGrand f

278Waveform ListNo. Wave Name251 UprightBs 2C 252 Ac.Bass A253 Ac.Bass B254 Ac.Bass C255 Slap Bass 1 256 Slap & Pop 257 Slap Bass 2 258 Slap

279Waveform ListAppendicesNo. Wave Name501 DIGI Bell 1+ 502 JD Cowbell503 Bell Wave 504 Chime 505 Crystal 506 2.2 Bellwave507 2.2 Vibw

28Chapter 2 Using the XV-5080 EffectsMaking Reverb SettingsThese settings allow you to select the desired type of Reverb, its characteristics, and the

280Waveform ListNo. Wave Name751 Rock Tom M f752 Rock Tom H f753 Rock Flm L1754 Rock Flm L2755 Rock Flm M756 Rock Flm H757 Jazz Tom L p758 Jazz Tom

281Waveform ListAppendicesNo. Wave Name1001 REV MplTom21002 REV MplTom41003 REV 808Tom1004 REV VerbTomH1005 REV VerbTomL1006 REV DryTom H1007 REV Dr

282MIDI ImplementationModel XV-5080Date May. 20, 2000Version 1.001. Receive data Channel Voice Messages* Not received in Performance mode when the Rec

283MIDI ImplementationAppendices* In Performance mode the Part pan parameter (PERFORM/PART) will change.❍Expression (Controller number 11)Status 2nd b

284MIDI Implementation❍General Purpose Controller 8 (Controller number 83)Status 2nd byte 3rd byteBnH 53H vvHn = MIDI channel number:0H - FH (Ch.1 - 1

285MIDI ImplementationAppendices●OMNI OFF (Controller number 124)Status 2nd byte 3rd byteBnH 7CH 00Hn = MIDI channel number:0H - FH (Ch.1 - 16)* The s

286MIDI ImplementationByte ExplanationF0H Exclusive status7FH ID number (universal realtime message)7FH Device ID (Broadcast)04H Sub ID#1 (Device Cont

287MIDI ImplementationAppendices❍Scale/Octave Tuning AdjustStatus Data byte StatusF0H 7EH,7FH,08H,08H,ffH,ggH,hhH,ssH... F7HByte ExplanationF0H Exclus

288MIDI Implementation7EH ID number (Universal Non-realtime Message)dev Device ID (dev: 00H - 1FH (1 - 32), the initial value is 10H (17).)7CH ID numb

289MIDI ImplementationAppendices❍Panpot (Controller number 10)Status 2nd byte 3rd byteBnH 0AH vvHn = MIDI channel number:0H - FH (Ch.1 - 16)vv = Panpo

29Chapter 2 Using the XV-5080 EffectsChap.2LF Damp Gain -36–0 dBAdjusts the amount of damping applied to the frequency range selected with LF Damp. W

290MIDI Implementation●Sample Dump Standard* Transmitted only in Sample Dump mode.❍Dump HeaderStatus Data byte StatusF0H 7EH, dev, 01H, ssH, ssH, eeH,

291MIDI ImplementationAppendices| 00 00 00 | Temporary Patch *1-3-1|| 10 00 00 | Temporary Rhythm

292MIDI Implementation|—————————————+———————————+————————————————————————————————————————————————————|| 00 10 | 0aaa aaaa | Voice Reserve 1

293MIDI ImplementationAppendices|# 01 0D | 0000 aaaa | || | 0000 bbbb |

294MIDI Implementation| | | -64 - +63 || 00 14 | 0aaa aaaa | Part Release Time Of

295MIDI ImplementationAppendices| | | TVA-ATK, TVA-DCY, TVA-REL, || | |

296MIDI Implementation| 00 03 | 0000 00aa | Chorus Output Select (0 - 2) || | |

297MIDI ImplementationAppendices| | | 600, 700, 800, 900, 1000, 1100, || | |

298MIDI Implementation| | | 32 - 127 [ASCII] || 00 01 | 0aaa aaaa | Rhythm Name 2

299MIDI ImplementationAppendices|# 00 14 | 0000 aaaa | || | 0000 bbbb |

3USING THE UNIT SAFELY• Before using this unit, make sure to read the instructions below, and the Owner’s Manual...

30Chapter 2 Using the XV-5080 EffectsPerformance Mode SettingsThree different Multi-effects can be used in a Performance.Select which of these three M

300MIDI Implementation| 00 3C | 0aaa aaaa | WMT1 Velocity Fade Width Lower (0 - 127) || 00 3D | 0aaa aaaa | WMT1 Velocity Fade W

301MIDI ImplementationAppendices| 40 01 39 | 0aaa aaaa | Chorus Pre-LPF (0 - 7) || 40 01 3A | 0aaa aaaa | Chorus Lev

302MIDI Implementation* Drum Setup Parameter+——————————————————————————————————————————————————————————————————————————————+| Start |

303MIDI Implementation Appendices during the song and then rewound or fast-forwarded, the sequencer may not be able totransmit the correct status, an

304MIDI Implementation As the data size of Rhythm Tone is 00 00 01 41H, summation of the size and thestart address of Tone 4 of Part 16 at Temporay P

Function...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeProgramChangeSystem ExclusiveSystemCommonSystemReal TimeAuxMessagesNot

306SpecificationsXV-5080 128 voice sound moduleGM Level 2 system Compatible● Parts32● Maximum Polyphony128 voices● Wave memory64MB (16-bit linear form

307IndexNumerics2VOICE PITCH SHIFTER ...563D AUTO SPIN ...

308LIMITER ...48Loading ...

309VV. Range ...133V.L ...

31Chapter 2 Using the XV-5080 EffectsChap.2A “*” symbol will appear at the left of the Performance name, indicating that its settings have been modifi

InformationWhen you need repair service, call your nearest Roland Service Center or authorized Roland distributor in your country as shown below.As of

02019812 ’02-10-F2-71N

32Chapter 2 Using the XV-5080 Effects* When you press [F2 (MFX)] once again, the MFX Param page will reappear.MFXA–C Control 1–4 SourceSelect the Cont

33Chapter 2 Using the XV-5080 EffectsChap.2Pressing [F4 (Chorus)] in the General page calls up the Chorus page, in which you can make the following se

34Chapter 2 Using the XV-5080 EffectsMaking Reverb SettingsThese settings allow you to select the desired type of Reverb, its characteristics, and the

35Chapter 2 Using the XV-5080 EffectsChap.2• For Type: 2 (SRV ROOM)/3 (SRV HALL)/4 (SRV PLATE)Pre Delay (Pre Delay Time) 0.0–100 msAdjusts the time d

36Chapter 2 Using the XV-5080 EffectsRhythm Set Mode SettingsYou can apply Multi-effects, Chorus or Reverb to each of a Rhythm Set’s Tones. You can co

37Chapter 2 Using the XV-5080 EffectsChap.2Routing Tones to EffectsThis sets the output destination and level for the currently selected Tone, as well

38Chapter 2 Using the XV-5080 EffectsMaking Chorus SettingsThe XV-5080’s Chorus effect unit can also be used as a stereo delay unit.These settings all

39Chapter 2 Using the XV-5080 EffectsChap.2• For Type: 2 (DELAY)Center (Delay Center) 200–1000 ms, NoteSets the delay time for the delay located at t

4• Do not force the unit’s power-supply cord to share an outlet with an unreasonable number of other devices. Be especially careful when using extensi

40Chapter 2 Using the XV-5080 Effects• For Type: 1 (REVERB)Type (Reverb/Delay Type)Selects a type of reverb or delay.ROOM1: This is a short reverb wit

41Chapter 2 Using the XV-5080 EffectsChap.2Settings in General MIDI ModePlease refer to Making Effects Settings ([F5 (Effects)]) (p. 227).Parameters f

42Chapter 2 Using the XV-5080 Effects37: CHORUS -> FLANGER(p. 63)38: CHORUS/DELAY(p. 64)39: FLANGER/DELAY(p. 64)40: CHORUS/FLANGER(p. 64)41: STEREO

43Chapter 2 Using the XV-5080 EffectsChap.273: KEYBOARD MULTI74: RHODES MULTI75: JD MULTILoFi (Effects that intentionally degrades the sound quality)5

44Chapter 2 Using the XV-5080 Effects1: STEREO EQ (Stereo Equalizer)This is a four-band stereo equalizer (low, mid x 2, high).fig.2-04Freq/GainLowFreq

45Chapter 2 Using the XV-5080 EffectsChap.23: DISTORTIONThis effect produces a more intense distortion than Overdrive.fig.2-06DistortionDrive #Adjust

46Chapter 2 Using the XV-5080 Effects5: SPECTRUMSpectrum is a type of filter which modifies the timbre by boosting or cutting the level at specific fr

47Chapter 2 Using the XV-5080 EffectsChap.27: AUTO WAHThe Auto Wah cyclically controls a filter to create cyclic change in timbre.fig.2-10Auto WahFilt

48Chapter 2 Using the XV-5080 EffectsLevel (High Frequency Level)Adjust the volume of the high frequency rotor.OutputLevel (Output Level) #Adjust the

49Chapter 2 Using the XV-5080 EffectsChap.211: HEXA-CHORUSHexa-chorus uses a six-phase chorus (six layers of chorused sound) to give richness and spat

5IMPORTANT NOTESIn addition to the items listed under “IMPORTANT SAFETY INSTRUCTIONS” and “USING THE UNIT SAFELY” on pages 2 and 3, please read and ob

50Chapter 2 Using the XV-5080 Effects13: SPACE-DSpace-D is a multiple chorus that applies two-phase modulation in stereo. It gives no impression of mo

51Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level)Adjust the output level.15: STEREO FLANGERThis is a stereo flanger. (The LFO has

52Chapter 2 Using the XV-5080 Effects16: STEP FLANGERThe Step Flanger effect is a flanger in which the flanger pitch changes in steps. The speed at wh

53Chapter 2 Using the XV-5080 EffectsChap.2frequencies of the feedback, set this parameter to BYPASS.Feedback #Adjust the proportion (%) of the delay

54Chapter 2 Using the XV-5080 EffectsModulationRate #Adjust the speed of the modulation.DepthAdjust the depth of the modulation.PhaseAdjust the spatia

55Chapter 2 Using the XV-5080 EffectsChap.2BalanceBalance (Effect Balance) #Adjust the volume balance between the direct sound and the delay sound. Wi

56Chapter 2 Using the XV-5080 Effects21: TIME CONTROL DELAYThis effect allows you to use a specified controller (the controller selected in EFX Contro

57Chapter 2 Using the XV-5080 EffectsChap.2Pitch BCoarse (Coarse Pitch B) #2Adjust the pitch of Pitch Shift B in semitone steps (-2-+1 octaves).Fine (

58Chapter 2 Using the XV-5080 Effects24: REVERBThe Reverb effect adds reverberation to the sound, simulating an acoustic space.fig.2-30ReverbType (Rev

59Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level) #Adjust the output level.26: OVERDRIVE→CHORUSThis effect connects an overdrive a

6ContentsUSING THE UNIT SAFELY...3IMPORTANT NOTES ...

60Chapter 2 Using the XV-5080 Effects28: OVERDRIVE→DELAYThis effect connects an overdrive and a delay in series.fig.2-34OverdriveDriveAdjust the degre

61Chapter 2 Using the XV-5080 EffectsChap.232: ENHANCER→CHORUSThis effect connects an enhancer and a chorus in series.fig.2-38EnhancerSens (Enhancer S

62Chapter 2 Using the XV-5080 Effects34: ENHANCER→DELAYThis effect connects an enhancer and a delay in series.fig.2-40EnhancerSens #Adjust the sensiti

63Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level)Adjust the output level.36: FLANGER→DELAYThis effect connects a flanger and a del

64Chapter 2 Using the XV-5080 EffectsDepth (Flanger Depth)Adjust the modulation depth of the flanger effect.Feedback (Flanger Feedback Level)Adjust th

65Chapter 2 Using the XV-5080 EffectsChap.241:STEREO PHASERThis is a stereo phaser. With the Step effects, you can also make stepped changes in the pi

66Chapter 2 Using the XV-5080 EffectsDepth (LFO Depth)Adjust the modulation depth of the flanger sound.Fbk #Adjust the proportion (%) of the flanger s

67Chapter 2 Using the XV-5080 EffectsChap.2setting is the vowel 2.RateSets the frequency at which the two vowels will be switched.Depth Sets the effec

68Chapter 2 Using the XV-5080 EffectsOutputLevel (Output Level)Adjust the output level.45:MULTI TAP DELAYThe Multi Tap Delay has four delays. Each of

69Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level)Adjust the output level.46:REVERSE DELAYReverse Delay is a delay effect that adds

7Signal (PART) Flow ...117Parameters.

70Chapter 2 Using the XV-5080 Effects47:SHUFFLE DELAYShuffle Delay adds a shuffle to the delay sound, giving the sound a bouncy delay effect with a sw

71Chapter 2 Using the XV-5080 EffectsChap.2HF Damp Adjust the frequency above which delayed sound fed back to the delay input will be cut.If you do no

72Chapter 2 Using the XV-5080 EffectsPan 1:2:3 (Output Pan 1:2:3)Specify the stereo location of the pitch shift 1–3 sound. L64 is far left, 0 is cente

73Chapter 2 Using the XV-5080 EffectsChap.2HPF:The frequency region below the Cutoff Freq setting will be cut.Cutoff (Cutoff Frequency) Adjust the fre

74Chapter 2 Using the XV-5080 EffectsOutputLevel (Output Level) #Adjust the output level.53:OVERDRIVE 2This is an overdrive that provides heavy distor

75Chapter 2 Using the XV-5080 EffectsChap.255:STEREO COMPRESSORfig.2-65CompressorAttackAdjust the attack time of an input sound.SustainAdjust the time

76Chapter 2 Using the XV-5080 Effects57:GATEThe Gate effect cuts the reverb’s delay according to the volume of the sound input to the effects device.

77Chapter 2 Using the XV-5080 EffectsChap.2Threshold (Reset Threshold)Sets the volume level at which the reset begins.Monitor (Reset Monitor)Determine

78Chapter 2 Using the XV-5080 EffectsChorusRate (LFO Rate) #Adjust the modulation frequency of the chorus sound.Depth (LFO Depth)Adjust the modulation

79Chapter 2 Using the XV-5080 EffectsChap.2Step RateSwitch (Step Rate Switct)Determines whether the pitch is changed in a stepped fashion (ON) or not

8Editing a Patch or Rhythm Set in the Performance Mode...167Palette Function...

80Chapter 2 Using the XV-5080 EffectsThe teeth in SAW1 and SAW2 point at opposite directions.fig.2-73aRate #Adjust the frequency (speed) of the change

81Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level)Adjusts the output level.65: STEREO AUTO WAHThis is a stereo auto wah.fig.02-065m

82Chapter 2 Using the XV-5080 Effectsamount of time. Setting this higher than 50 increases the time for Vowel 1; setting this lower than 50 decreases

83Chapter 2 Using the XV-5080 EffectsChap.268: REVERSE DELAY 2This allows you to set even longer delay times (max. 1500 ms) for the Multi-Tap Delay fu

84Chapter 2 Using the XV-5080 EffectsFeedback #Adjusts the proportion (%) of the delay sound that is fed back into the delay input. Positive (+) setti

85Chapter 2 Using the XV-5080 EffectsChap.2High (High Gain)Adjusts the gain of the high frequency range.Positive (+) settings will emphasize (boost) t

86Chapter 2 Using the XV-5080 EffectsEQ GainLow (Low Gain)Adjusts the gain of the low frequency range.Positive (+) settings will emphasize (boost) the

87Chapter 2 Using the XV-5080 EffectsChap.2Fast (Low Frequency Fast Rate)Adjusts the speed of the low-range rotor for the fast-speed setting.Accel (Lo

88Chapter 2 Using the XV-5080 EffectsEQ GainLow (EQ Low Gain)Adjusts the low-range gain of the equalizer.Mid (EQ Mid Gain)Adjusts the gain of the area

89Chapter 2 Using the XV-5080 EffectsChap.274: RHODES MULTIRhodes Multi provides Enhancer (EH), Phaser (PH), Chorus or Flanger (CF), and Tremolo or Pa

9Transmitting to User Memory...204Protecting the Inter

90Chapter 2 Using the XV-5080 EffectsTremolo/PanTypeSelects either Tremolo or Pan.ModWave (Modulation Wave)Selects the way in which tremolo or pan wil

91Chapter 2 Using the XV-5080 EffectsChap.2modified.250Hz (250Hz Gain)Specifies the gain (amount of boost or cut) at 250 Hz.500Hz (500Hz Gain)Specifie

92Chapter 2 Using the XV-5080 Effects77: STEREO LO-FI NOISEThis is a stereo Lo-Fi noise. In addition to a Lo-Fi effect, this effect also generates var

93Chapter 2 Using the XV-5080 EffectsChap.2OutputLevel (Output Level)Adjusts the output level.78: GUITAR AMP SIMULATORThis is an effect that simulates

94Chapter 2 Using the XV-5080 Effects79: STEREO OVERDRIVEThis is a stereo overdrive.fig.02-079m.eOverdriveDrive #Adjusts the degree of distortion. The

95Chapter 2 Using the XV-5080 EffectsChap.281: GUITAR MULTI AGuitar Multi 1 connects Compressor (Cmp), Overdrive or Distortion (ODDS), Amp Simulator (

96Chapter 2 Using the XV-5080 EffectsAmp SimulatorAmp Type (Amp Simulator Type)Selects the type of guitar amp.Small: small ampBltIn: built-in type amp

97Chapter 2 Using the XV-5080 EffectsChap.2Amp Sim (Amp Simulator Switch)Turns the Amp Simulator on/off.3 Band EQ (3 Band EQ Switch)Turns the equalize

98Chapter 2 Using the XV-5080 EffectsCutoff (Cutoff Frequency)Sets the cutoff frequency when a specific frequency band is cut off by a filter.OutputLe

99Chapter 2 Using the XV-5080 EffectsChap.2Feedback (Delay Feedback Level)Adjusts the proportion (%) of the delay sound that is fed back into the dela