Roland Dr. Rhytm DR-110 Manuel du propriétaire

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Owner’s Manual
03236845 1*SX
Thank you, and congratulations on your choice of the BOSS DR-3 Dr. Rhythm.
Before using this unit, carefully read the sections entitled:
• USING THE UNIT SAFELY (page 2–4)
• IMPORTANT NOTES (page 5)
These sections provide important information concerning the proper operation of the unit.
Additionally, in order to feel assured that you have gained a good grasp of every feature provided by
your new unit, Owner's manual should be read in its entirety. The manual should be saved and kept
on hand as a convenient reference.
Printing Conventions in This Manual
Text or numerals enclosed in square brackets [ ] indicate buttons.
[SONG] SONG button
START [ ] START button
Reference such as (p. **) indicate pages in this manual to which you can refer.
Copyright © 2003 BOSS CORPORATION
All rights reserved. No part of this publication may be reproduced in any form without the written permission of BOSS
CORPORATION.
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Résumé du contenu

Page 1 - Owner’s Manual

Owner’s Manual 03236845 1*SX Thank you, and congratulations on your choice of the BOSS DR-3 Dr. Rhythm.Before using this unit, carefully read the sec

Page 2

10Contents<4> Confirming the Created Style... 70Performing the Created St

Page 3

100Message ListMessage Keep Power On!Now Working...Cause Data is being saved to memory.Action Never turn off the power while this message is displayed

Page 4

101AppendicesParameter ListParameter Display ValueTemporary (These parameters are not saved. These are reset each time the DR-3’s power is turned on.)

Page 5 - IMPORTANT NOTES

102Parameter ListKitKit Kit P1 - P50, U1 - U50Instrument Inst “Instrument/Bass Tone List” (p. 104)Level Level 0 - 15Pan Pan L7 - CENTER - R7Kit Name &

Page 6 - Main Features

103Parameter ListAppendicesAmbienceAmbience Ambi P1 - P8, U1 - U8Reverb Size Size 5.6 m - 20.5 mReverb Time Time 0.1 - 32.0Reverb Level Level 0 - 100P

Page 7

104InstrumentInst. No. vDisplayInstrument Inst. No. vDisplayInstrumentInstrument/Bass Tone ListK01 Maple Maple KickK02 Rnd1 Round Kick 1K03 Rnd2 Round

Page 8 - Contents

105Instrument/Bass Tone ListAppendicesInst. No. vDisplayInstrumentBass ToneIInst. No.DisplayInstrumentC09 Ride1 Ride Cymbal 1C10 Ride2 Ride Cymbal 2C1

Page 9

106Kit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4DRUM CYM5PERC 1PERC 2PERC

Page 10

107Preset Kit ListAppendicesKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4D

Page 11

108Preset Kit ListKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4DRUM CYM5PE

Page 12 - Panel Descriptions

109Preset Kit ListAppendicesKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4D

Page 13

11ContentsChapter 11 Connecting and Using External MIDI Devices ... 93What is MIDI? ...

Page 14 - 123 45678

110Preset Kit ListKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4DRUM CYM5PE

Page 15 - Before You Play

111Preset Kit ListAppendicesKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4D

Page 16 - Making Connections

112Preset Kit ListKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4DRUM CYM5PE

Page 17 - Turning On/Off the Power

113Preset Kit ListAppendicesKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4D

Page 18 - Press [ENTER]

114Preset Kit ListKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4DRUM CYM5PE

Page 19

115Preset Kit ListAppendicesKit No.Kit NameDRUM KICKDRUM SNR1DRUM SNR2DRUM CHHDRUM OHHDRUM CYM1DRUM CYM2DRUM CYM3DRUM TOM1DRUM TOM2DRUM TOM3DRUM CYM4D

Page 20 - Quick Start

116No. Style Name No. Style Name No. Style NamePreset Style ListP001 ROCK JAM 1P002 ROCK JAM 2P003 SHFFL JAMP004 ROCK HOPP005 STREET HOPP006 MIAMIP007

Page 21 - Let’s Listen to the Demo

117AppendicesDr. Rhythm Date: Dec. 27, 2002Model: DR-3 MIDI Implementation Version:1.001. RECOGNIZED RECEIVE DATA Channel Voice Message●Note OffStatus

Page 22 - Let’s Play a Style

118MIDI Implementation●Program ChangeStatus SecondCnH ppHn = MIDI Channel Number: 0H–FH (ch.1–ch.16)pp = Program Number: 00H–63H (prog.1–prog.100)*MID

Page 23 - Descrip

119MIDI ImplementationAppendices●ContinueStatusFBH●StopStatusFCH●Active SensingStatusFEH* Once receiving Active Sensing message, DR-3 begins checking

Page 24

12Panel DescriptionsFront Panelfig.Panel1. Display* The explanations in this manual include illustrations that depict what should typically be shown b

Page 25 - Press VARIATION [MUTE]

120Function...BasicChannelModeNoteNumber :VelocityAfterTouchPitch BendControlChangeTransmitted RecognizedRemarksDefaultChangedDefaultMessagesAlteredTr

Page 26 - Selecting Styles

121AppendicesProgramChangeSystem ExclusiveSystemCommonSystemReal TimeAuxMessagesNotes: True Number: Song Position: Song Select: Tune Request: Clock: C

Page 27 - Changing the Tempo ([TEMPO])

122SpecificationsStylesUser Style: 100 stylesPreset Style: 100 styles* 11 patterns for a styleSongsUser Song: 100Song Length: Maximum 250 patterns for

Page 28 - Press [KEY SHIFT]

123AppendicesIndexButtons[AMBIENCE] ... 52[AUTO] ...

Page 29 - Let’s Use a Foot Switch

124IndexNNamingKit ... 91Song ...

Page 30 - Using the Foot Switch

125IndexAppendicesTTempo ... 27, 36, 41Song ...

Page 32 - Sound and Acoustics (TSC)

2This product complies with the requirements of European Directive 89/336/EEC.For EU CountriesFor CanadaThis Class B digital apparatus meets all requ

Page 33 - Acoustics (TSC)” (p. 51)

Owner’s Manual 03236845 1*SX Thank you, and congratulations on your choice of the BOSS DR-3 Dr. Rhythm.Before using this unit, carefully read the sec

Page 34 - Style Play Mode

13Panel Descriptions4.START buttonStarts and pauses Styles/songs playback or recording. STOP buttonThis stops the performance of the Styles or son

Page 35 - Makeup of a Style

14Panel DescriptionsRear Panelfig.jack1. MIDI IN connectorExternal MIDI device can be connected to this connector.2. FOOT SW (Switch) jackBy connectin

Page 36 - Variation

15Before You PlayBefore You PlayInstall Batteries1Make sure that the power is turned off.fig.00-012Remove the battery cover on the unit’s underside.3I

Page 37 - Switching the Pad Functions

16Before You PlayMaking ConnectionsThe DR-3 is not equipped with an internal amp or speakers. To hear sound, either connect an amplifier and speakers

Page 38 - Main Screens and Functions

17Before You PlayBefore You PlayTurning On/Off the Power Turning on the powerOnce the connections have been completed (p. 16), turn on power to your

Page 39 - Song Edit screen

18Before You PlayReset to Default Factory Settings (Factory Reset)This returns all settings on the DR-3 to the values they had when the unit shipped f

Page 40 - STEP REC [ ]

19Before You PlayBefore You Play4Press [ ] to select a <FACTORY RESET>.fig.00-10d5Press [ENTER].A message confirming that you want to proceed wi

Page 41 - 1. Press [TEMPO (TAP)]

2This product complies with the requirements of European Directive 89/336/EEC.For EU CountriesFor CanadaThis Class B digital apparatus meets all requ

Page 42 - 1. Press [KEY SHIFT]

20Quick StartThis Quick Start manual describes how to enjoy performing the rhythm used in the DR-3’s Styles.Pre-programmed Styles are provided in Rock

Page 43

21Quick StartLet’s Listen to the DemoNow listen to the demo performance, which brings the DR-3’s “Styles” to life.The “Patterns” in the demo performan

Page 44 - ■ How to Change Patterns

22Let’s Play a StyleThere are two ways to perform Styles, using “Manual mode,” in which you switch the Pattern yourself, or “Auto mode,” where the DR-

Page 45 - VARIATION Buttons

23Let’s Play a StyleQuick Start2Press [INTRO/START] to start the performance from the intro.3Press one of the pattern pads to switch Patterns.The Patt

Page 46 - Performing in Auto Mode

24Let’s Play a StylePerforming Variations on Styles (VARIATION)You can use the three VARIATION buttons to add variety to the performance, even with th

Page 47 - AB, AB 4, AB 8, AB 16

25Let’s Play a StyleQuick Start4Press VARIATION [KIT].VARIATION [KIT] lights up, and the drum set and bass sounds changes.When you press VARIATION [KI

Page 48 - Switching Verses

26Let’s Play a StyleSelecting StylesThe DR-3 comes with 100 pre-programmed Styles already built in.Now try listening to some of the different Styles.f

Page 49 - 3. Press [ENTER]

27Let’s Play a StyleQuick StartChanging the Tempo ([TEMPO])Now let’s try changing the performance tempo.fig.QS-08p1Press [TEMPO (TAP)]. The Tempo scre

Page 50

28Let’s Play a StyleChanging the Key ([KEY SHIFT])You can perform Styles in different keys (transposed).This function is called “Key Shift.”fig.QS-10p

Page 51

29Quick StartLet’s Use a Foot SwitchYou can use a foot switch (such as the optional FS-5U) to start and stop performances and switch verses (p. 23). T

Page 52 - 1. Press [AMBIENCE]

3 010 • This unit, either alone or in combi-nation with an amplifier and headphones or speakers, may be capable of producing sound levels that could

Page 53 - ■ How to Make the Settings

30Let’s Use a Foot SwitchUsing the Foot SwitchThe example here describes use of the DR-3 with two foot switches connected. When you have only one foot

Page 54 - Parameters

31Quick StartLet’s Perform with the Patterns Switched Automatically ([AUTO])When you perform Styles in Auto mode, the DR-3 switches the Patterns autom

Page 55 - ■ Copying the Settings

32Let’s Change the Overall Tone of the Sound and Acoustics (TSC)“TSC,” short for “Total Sound Control,” is a function that lets you change the acousti

Page 56 - ■ Changing the Ambience

33Let’s Change the Overall Tone of the Sound and Acoustics (TSC)Quick Start5Press [SOUND SHAPE] so the button lights up.Sound Shape is applied to the

Page 57

34Chapter 1 Overview of the DR-3The DR-3’s Performance ModesThe DR-3 features two performance modes, Style Play mode, in which the rhythm patterns are

Page 58 - Bass Note

35Chapter 1 Overview of the DR-3Chapter 1Makeup of a Stylefig.01-01PatternsThe following eight patterns are set up for the different parts of the song

Page 59 - Playing Bass Sounds

36Chapter 1 Overview of the DR-3KitsThe drum, percussion, and bass sounds used in performing patterns are referred to as “kits.”The Styles have predet

Page 60 - (VARIATION [KIT])

37Chapter 1 Overview of the DR-3Chapter 1Song ModeSwitch to Song mode by pressing the MODE [SONG] button.In Song mode, you create songs by recording t

Page 61 - Chapter 7 Creating Styles

38Chapter 1 Overview of the DR-3Main Screens and FunctionsStyle screenfig.01-d1With the performance stopped, pressing [MANU] or [AUTO] causes the butt

Page 62 - ■ Setting the Beat

39Chapter 1 Overview of the DR-3Chapter 1Realtime Recording screenfig.01-d5When you press START [ ] after pressing STEP REC [ ] in Style Play mode ([M

Page 63 - ■ Changing the Sound to Be

4 101b • The unit and the AC adaptor should be located so their location or position does not interfere with their proper ventilation. ...

Page 64 - Measures for Each Pattern

40Chapter 1 Overview of the DR-3 Starting and Stopping Performances and RecordingUse these buttons to start, pause, stop, and record performances of

Page 65 - • Recording the Drum Part

41Chapter 1 Overview of the DR-3Chapter 1 Adjusting the Tempo ([TEMPO])Use the following procedure to adjust Style and song tempos.fig.01-03p1. Press

Page 66 - • Recording the Bass Part

42Chapter 1 Overview of the DR-3 Changing the Key of the Performance ([KEY SHIFT])Use the following procedure to change the key of the Styles and son

Page 67 - ■ Using Step Recording

43Chapter 2Chapter 2 Playing Styles (Manual Mode [MANU])The DR-3 features 100 pre-programmed internal Styles in a variety of musical genres. You can p

Page 68

44Chapter 2 Playing Styles (Manual Mode [MANU])Selecting the Patterns to be Playedfig.02-03pA single Style is divided into eight performance units cal

Page 69 - Sounds (Velocity Edit)

45Chapter 2 Playing Styles (Manual Mode [MANU])Chapter 2Selecting Variations (VARIATION)fig.02-04pEach Style includes three different variations, whic

Page 70 - Created Style

46Chapter 3 Playing Styles (Auto Mode [AUTO])When you perform Styles in Auto mode, the DR-3 switches the Patterns automatically, even without the patt

Page 71 - ■ Copying the Style

47Chapter 3 Playing Styles (Auto Mode [AUTO])Chapter 3 Changing the Pattern Progression in Auto ModeYou can change the pattern progression when perfo

Page 72 - ■ Copying Patterns

48Chapter 4 Controlling the Styles with a Foot SwitchYou can use a foot switch (such as the optional FS-5U) to start and stop performances and switch

Page 73 - ■ Clearing Patterns

49Chapter 4 Controlling the Styles with a Foot SwitchChapter 4Assigning Functions to the Foot SwitchYou can assign functions other than starting and s

Page 74 - Procedure for Creating Songs

5 IMPORTANT NOTES 291a In addition to the items listed under “USING THE UNIT SAFELY” on page 2–4, please read and observe the following: Power Supply

Page 75 - ■ Setting the Basic Tempo

50Chapter 4 Controlling the Styles with a Foot SwitchFunctions That Can Be Assigned to Foot SwitchesSettings FunctionINTRO/ENDWhen [MANU] or [AUTO] is

Page 76 - ■ When Using Step Recording

51Chapter 5Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)“TSC,” short for “Total Sound Control,” is a function that lets you cha

Page 77 - When Using Realtime Recording

52Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)Altering the Acoustic Characteristics of the Overall Sound ([AMBIENCE])“Ambience

Page 78 - Displayed Group Name

53Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)Chapter 5Changing the Sound Shape ParametersYou can store up to eight edited Sou

Page 79 - Description

54Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC) Changing the Compressor ParametersThis changes the parameters of the Sound Sha

Page 80 - (INSERT)

55Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)Chapter 5 Naming the SettingsSelect a <NAME> on step 4 in p. 53, then pre

Page 81 - (DELETE)

56Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)Changing the Ambience ParametersYou can store up to eight edited Ambience parame

Page 82 - ■ Copying Specified Segments

57Chapter 5 Changing the Overall Tone of the Sound and Acoustics (TSC)Chapter 5 Naming the SettingsSelect a <NAME> on step 4 in p. 56, then pre

Page 83 - ■ Editing the Settings

58Chapter 6 Performing with the PadsWhen you press [INST], the button lights up, and you can then play drum set and bass sounds by pressing the pads.

Page 84 - ■ Copying the Song

59Chapter 6 Performing with the PadsChapter 6Playing Drum Sounds1. Press [INST] a number of times until “DRUM” appears in the display.fig.06-02d2. Tap

Page 85 - ■ Performing Songs

6 Main Features Making Your Own Rhythm Pattern Arrangements with Style Play With the DR-3, you can enjoy performing rhythm patterns made up of dru

Page 86 - Foot Switch

60Chapter 6 Performing with the PadsSelecting a Different Sound (VARIATION [KIT])When [INST] is on, the set of three groups of sounds played with the

Page 87 - Continuously (Song Chain)

61Chapter 7Chapter 7 Creating StylesEven though the DR-3 comes with a great variety of styles, representing many genres, you can also create your own

Page 88

62Chapter 7 Creating Styles<1> Selecting a Number for the Style1. With the performance stopped, press [MANU].The Style screen appears.fig.07-02d

Page 89 - Adjusting the Pad Sensitivity

63Chapter 7 Creating StylesChapter 7 Setting Up the KitChanging the kit changes the sounds used in the style being created.When setting kit’s variati

Page 90

64Chapter 7 Creating Styles Making the TSC Settings for the StyleMake the TSC (Sound Shape and Ambience) settings for the style you are creating.1. S

Page 91 - R7L7 L1 R1

65Chapter 7 Creating StylesChapter 7<3> Recording the Patterns Using Realtime RecordingThe following explains the Realtime Recording procedure,

Page 92 - Copying the Kit

66Chapter 7 Creating Styles• Recording the Bass Part* Bass parts are monophonic. Even if multiple notes are layered in a recording, only one sound is

Page 93 - ■ What is MIDI?

67Chapter 7 Creating StylesChapter 7 Using Step RecordingWhat is Step Recording?This is a recording method whereby measures are divided into units ca

Page 94 - ■ Setting the MIDI Channels

68Chapter 7 Creating Styles7. Tap the pad for the instrument to be recorded.At this time, the force used to tap the key pads is recorded as velocity.T

Page 95 - ■ Setting Sync Mode

69Chapter 7 Creating StylesChapter 78. Repeat Steps 5–7 as needed.Confirming the Input SoundPress [ ] [ ] in the Step Recording screen to move to othe

Page 96 - External MIDI Devices

7 Main Features Setting the Tempo with Tap Tempo Function You can set tempos just by tapping the button at the desired timing. Key Shift Function

Page 97 - Machine Performances

70Chapter 7 Creating Styles Transposing the Pattern’s Bass PartUse this procedure to transpose the bass part and store the pattern (Key Transpose).*

Page 98 - Appendices

71Chapter 7 Creating StylesChapter 7Naming, Copying, and Deleting Styles Naming the StyleYou can edit the name of the currently selected style, using

Page 99 - Troubleshooting

72Chapter 7 Creating Styles Clearing the Style1. Press [EDIT].The Edit Menu screen appears.2. Select a <STYLE>, then press [ENTER].3. Press [ ]

Page 100 - Message List

73Chapter 7 Creating StylesChapter 78. Turn the VALUE dial to select the copy-destination pattern, then press [ ].fig.07-29dIf you press [ ], you’re t

Page 101 - Parameter List

74Chapter 8 Creating and Performing Songs ([SONG])With the DR-3, it’s easy and convenient to create “songs” by arranging patterns in the sequence they

Page 102

75Chapter 8 Creating and Performing Songs ([SONG])Chapter 8Convenient Functions for Creating SongsCopying a song is useful and convenient whenever you

Page 103

76Chapter 8 Creating and Performing Songs ([SONG]) Making the TSC Settings for the SongMake the TSC (Sound Shape and Ambience) settings for the song

Page 104 - Instrument/Bass Tone List

77Chapter 8 Creating and Performing Songs ([SONG])Chapter 83. Press [ENTER] to determine the pattern to be recorded.The measure numbers advance automa

Page 105 - Bass Tone

78Chapter 8 Creating and Performing Songs ([SONG])Substituting Recorded PatternsWhen you record using Realtime Recording into a song that already has

Page 106 - Preset Kit List

79Chapter 8 Creating and Performing Songs ([SONG])Chapter 85. Turn the VALUE dial to set the quantization.This corrects mistakes in the rhythm played

Page 107

8 Contents USING THE UNIT SAFELY ... 2IMPORTANT NOTES...

Page 108

80Chapter 8 Creating and Performing Songs ([SONG])<4> Editing SongsYou can copy and delete specified segments of recorded songs. Adding Pattern

Page 109

81Chapter 8 Creating and Performing Songs ([SONG])Chapter 8 Deleting Specified Segments (DELETE)This deletes unneeded patterns from songs.fig.08-del1

Page 110

82Chapter 8 Creating and Performing Songs ([SONG]) Copying Specified Segments (COPY)You can copy a specified segment of a song, and then insert the s

Page 111

83Chapter 8 Creating and Performing Songs ([SONG])Chapter 8 Changing the Tempo Part Way Through a Song (TEMPO)You can have the tempo change at a spec

Page 112

84Chapter 8 Creating and Performing Songs ([SONG])Naming, Copying, and Deleting Songs Naming the SongYou can edit the name of the currently selected

Page 113

85Chapter 8 Creating and Performing Songs ([SONG])Chapter 8 Clearing the Song1. Press [EDIT].The Edit Menu screen appears.2. Select a <SONG>, t

Page 114

86Chapter 8 Creating and Performing Songs ([SONG]) Switching Patterns With a Foot SwitchNormally, when a song is played, the patterns in the song swi

Page 115

87Chapter 8 Creating and Performing Songs ([SONG])Chapter 8Setting a Specified Segment for Playing RepeatedlyThis sets the specified segment for playi

Page 116 - Preset Style List

88Chapter 9 Changing the Operating Environment (System)These settings include those for the DR-3’s pad sensitivity, Master Tuning, and other global se

Page 117 - 1. RECOGNIZED RECEIVE DATA

89Chapter 9 Changing the Operating Environment (System)Chapter 9Setting the Parts To Be Output from the OUTPUT JacksYou can set the parts that are to

Page 118 - ■System Common Message

9ContentsChapter 3 Playing Styles (Auto Mode [AUTO]) ... 46Selecting a Style...

Page 119 - ■Channel Voice Message

90Chapter 10 Creating Your Own KitsYou can change (edit) the settings for the User style kits, including those for the kit instruments and the way the

Page 120 - MIDI Implementation Chart

91Chapter 10 Creating Your Own KitsChapter 10Selecting the Sounds Assigned to the PadsThis selects the instruments to be assigned to the pads.fig.09-1

Page 121

92Chapter 10 Creating Your Own KitsCopying the KitThis copies the kit to the User kit (U01–U50).fig.09-19dPress [ENTER].fig.09-20dTurn the VALUE dial

Page 122 - Specifications

93Chapter 11Chapter 11 Connecting and Using External MIDI Devices What is MIDI?MIDI (Musical Instrument Digital Interface) is a universal standard th

Page 123

94Chapter 11 Connecting and Using External MIDI DevicesData Synchronized with the DR-3The following MIDI messages are handled during synchronization w

Page 124

95Chapter 11 Connecting and Using External MIDI DevicesChapter 11 Setting Sync ModeWhen connecting an external MIDI device and synchronizing the perf

Page 125

96Chapter 11 Connecting and Using External MIDI DevicesPerformance Data Handled by the DR-3• Note MessagesThese are messages that convey the performan

Page 126 - Memo

97Chapter 11 Connecting and Using External MIDI DevicesChapter 11Recording Sequencer and Rhythm Machine PerformancesWhen connecting a sequencer or rhy

Page 128

99AppendicesTroubleshootingIf you find the DR-3 is not operating correctly, check the items listed below.If the DR-3 still does not work properly afte

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