Roland M-480 Manuel d'utilisateur télécharger pdf

ARCHITECTS & ENGINEERS SPECIFICATION

M-480 Digital V-Mixing

System Specification

The digital mixer shall be designed as an

integrated system including Ethernet audio

transmission, digital audio processing, integrated

digital recording using an optional USB memory

key, and digital mixing. The system shall have

the ability to be expanded to a maximum of 90

physical inputs and 90 physical outputs using up

to 2 input and output modules. The system shall

have two Ethernet transmission ports that can

each be connected to an input module comprising

an 8-input stage box, a 16-input stage box or a

modular 40-channel input box. The inputs shall

be of very high quality and accept both line

and microphone level inputs with individually

selectable phantom power. The input gains or

trims shall be controllable in 1 dB increments and

these settings, as well as their phantom power

settings, shall be remotely controllable from the

mixing control surface. The gain and phantom

power parameters shall be stored with the

channel settings for recall later.

The mixing system shall include a mixing control

surface that includes 25 touch-sensitive moving

faders. It shall also include 25 Mute buttons, 25

Solo buttons and 25 Select buttons. Pressing

the Select button shall return the display to the

selected channel or bus’s Edit screen. There

shall be 3 buttons that assign 24 of the faders

to control channels 1-24, channels 25-48, or

the buses. A fourth button shall assign the

faders to control the individual User Fader

settings for the selected User. It shall also have

a dedicated Touch Sense button for turning the

touch sensitive fader function on and off. It shall

also have a dedicated Sends on Fader button

allowing fader control of each channel’s send

level to the selected bus. It shall also have 16

knobs dedicated to adjusting the channel and

bus EQ parameters. It shall also have 16 buttons

dedicated to choosing any of the 16 Aux buses. It

shall also have two dedicated knobs for adjusting

the Preamp Gain and High Pass Filter Frequency.

It shall also have a Help button. This button

shall be used to access built-in educational and

instructional data for the system’s main features.

This button shall be context sensitive, allowing

direct access to instructional text for most

parameters using that parameter’s button.

The mixing control surface shall have 3 Ethernet

ports. Two of the Ethernet ports, A and B, can

be connected, using Cat5e or Cat6 cables, to

stage units supporting 8 inputs and 8 outputs, 16

inputs and 8 outputs, 8 inputs and 16 outputs,

or up to 40 inputs and 40 outputs each. Using a

gigabit switch, both of the cables can be split to

support up to 40 output audio paths. The A and B

ports shall support up to 40 output choices from

any channel, bus or matrix. The third Ethernet

port shall be a duplicate of the A port output

assignments.

The mixing control surface shall be able to mix

up to 48 channels of audio to 16 Aux buses, 8

Matrices and the LCR Main bus. The audio path

from each channel shall be selectable from the

pre phase, pre EQ, pre fader and post fader

positions. Each channel shall have a selectable

Delay setting. The mixer shall also provide 8

Matrices that accept inputs from all channels

and buses. The sends to the Matrices shall be

selectable from pre EQ, prefader and post fader

positions.

The mixing control surface shall have 8 XLR

mic/line inputs, 8 XLR line level outputs and

stereo inputs and stereo digital outputs. The

control surface shall provide up to 8 external

insert paths, available from any channel, bus

or matrix; using the surface’s XLR inputs and

outputs. The mixing control surface shall provide

5 bands of adjustable equalization on each

of the 48 channels along with 48 gates and

48 compressors. It shall also provide a delay

setting, 4 bands of equalization and a limiter on

each of the 16 Aux buses, 8 Matrixes and the

Main LCR bus. The mixing control surface shall

include libraries for storing various channel, bus

and system parameters. These libraries shall

include a Channel library, Patchbay library, EQ

library, and Gate and Compressor libraries. Each

of these shall have at least 100 user storage

patches. The mixing control surface shall provide

6 stereo digital effects processors each of which

can also be congured as a dual mono processor.

These processors shall be assignable to any

channel, bus or matrix as an insert or as loop

effects using one of the 6 stereo return channels

or Aux buses. In addition it shall provide 12 31-

band graphic equalizers assignable to any of the

buses or matrices.

The mixing control surface shall include 300

scenes that store all of the channel, bus and

processing parameters. It shall also provide

16 user buttons that can be assigned to

direct scene recall, the tempo parameter for a

processor congured as a digital delay, and other

parameters. The mixing control surface shall also

include an XLR input with phantom power to be

used for a talkback microphone. The talkback

microphone input shall be assignable to any or

all Buses or Matrices. There shall also be an

onboard tunable Oscillator and Noise Generator

assignable to any Buses or Matrices. It shall also

have a large, color, dimmable backlit 800x480

TFT screen. It shall also provide a connector

designed for an optional console light.

The mixing control surface shall also have a USB

slot that will support a USB storage key. The

system shall support direct 16-bit, linear wav le

recording or playback via this USB key connected

to this port. The USB key shall also be used

as storage for console parameters including all

libraries and scenes. The mixing control surface

shall also support the creation of an Administrator

password and an unlimited number of individual

user proles which shall be stored to, and

require the use of, a USB key for access. The

Administrator shall be able to restrict any user

from accessing certain or all faders, and a range

of mixing system parameters. Each user shall

also have their own assignment for the 16 User

buttons and the 3 layers of 24 User faders. These

faders shall be accessible from the User Fader

bank buttons.

The mixing control surface shall provide 8 mute

groups and 8 DCA groups. The DCA groups shall

provide level control from one DCA master fader

of a user-assignable collection of channels and

buses. The mixing control system shall provide a

balanced headphone output. This output shall be

assigned to the Monitor bus, which shall also be

available as an output to any physical outputs in

the system. The headphone output shall have an

individually adjustable output level control. The

mixing control surface shall also provide meter

screens showing channel and bus levels. The

channel levels shall be selectable with choices

including post preamp, post attenuator, pre fader

and post fader. Each fader shall also have a

companion LED meter ladder that displays that

channel’s levels.

The mixing control surface shall have a USB

port that, when connected to a computer loaded

with control software, can be used to control the

channel, bus, effects and other parameters of the

whole mixing system.

The system shall be a Roland V-Mixing System

including an M-480 mixing control surface and the

appropriate input and output modules.

801 W. ORCHARD DR., SUITE 3, BELLINGHAM, WA 98225 • TOLL FREE: 800.380.2580 • FAX: 800.634.8202 • www.rolandsystemsgroup.com

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Résumé du contenu

Page 1 - System Specification

ARCHITECTS & ENGINEERS SPECIFICATIONM-480 Digital V-Mixing System SpecificationThe digital mixer shall be designed as an integrated system includi

Page 2 - V-Mixer M-480 Dimensions

ARCHITECTS & ENGINEERS SPECIFICATIONUnit: mm636.168074995.8 6487.2606.8598.5369.85º35º228.57.6322.2563.4614V-Mixer M-480 SpecificationsMixing Chan

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Roland M-480 Manuel d'utilisateur

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